Meaning: This quote by Lester Bangs, a renowned music journalist and critic, touches upon the issue of accessibility to live music events. Lester Bangs was known for his bold and insightful commentary on the music industry and his ability to capture the essence of rock and roll culture. In this quote, he expresses concern about the rising ticket prices for live music events, particularly in the context of how it could impact the ability of young people to attend these shows.

Bangs' reference to "something happened in England" likely alludes to the punk rock movement that emerged in the United Kingdom during the late 1970s. This era saw a surge of young, working-class individuals who were drawn to the raw, rebellious energy of punk rock music. However, as the popularity of punk grew, so did the ticket prices for live performances. This resulted in a situation where many of the very individuals who had been at the heart of the movement found themselves priced out of attending the concerts and events that spoke to their experiences and aspirations.

The quote reflects Bangs' concern for the impact of rising ticket prices on the ability of young music fans to participate in the live music experience. Bangs was known for his advocacy for the voice of the youth and for his understanding of the role that music plays in the lives of young people. He recognized the power of live music as a form of cultural expression and a means of connecting with others who shared similar experiences and emotions. For him, the idea that economic barriers could prevent young people from accessing these transformative experiences was deeply troubling.

Bangs' concern about the affordability of live music events remains relevant today. In many parts of the world, ticket prices for popular concerts and festivals have continued to rise, posing a challenge for young music enthusiasts with limited financial resources. This issue has been a subject of ongoing debate within the music industry, as artists, promoters, and fans grapple with the tension between the commercial imperatives of the music business and the desire to maintain a sense of inclusivity and accessibility within music communities.

The quote also speaks to broader social and economic dynamics, highlighting the ways in which financial barriers can shape cultural participation. It underscores the importance of considering the impact of pricing and accessibility on the diversity and vitality of music scenes. When ticket prices become prohibitively high, there is a risk that certain voices and perspectives will be marginalized, and that the vibrant energy of youth culture will be dampened.

In response to these concerns, some artists and organizers have sought to address the issue of affordability by offering discounted tickets, creating all-ages shows, or organizing alternative, DIY music events that prioritize accessibility and community engagement over commercial profit. Additionally, the rise of digital streaming platforms has provided new avenues for discovering and experiencing music, offering alternative ways for young people to engage with artists and expand their musical horizons.

In conclusion, Lester Bangs' quote serves as a reminder of the ongoing importance of making live music accessible to all, particularly to young people who are often the lifeblood of music scenes and subcultures. It prompts us to consider the implications of economic barriers on cultural participation and to explore ways in which the music industry and communities can work together to ensure that the transformative power of live music remains within reach for all.