I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.

Profession: Musician

Topics: Project, Style, Voice, Wrong,

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Meaning: This quote by the musician Julie London offers an intriguing insight into her perspective on her singing ability and her unique style as a vocalist. In just a few words, London captures the essence of her approach to music and artistry, revealing a profound self-awareness and a strong belief in the authenticity of her own voice.

Julie London was an American singer and actress who gained fame in the 1950s and 1960s for her sultry, smoky voice and her distinctive interpretations of jazz and pop standards. Known for her intimate and understated vocal style, London's approach to singing was characterized by a sense of cool sophistication and emotional depth. Her quote sheds light on the inner workings of her artistic mindset, offering valuable insights into her creative process and her attitude towards her own vocal abilities.

In the quote, London expresses a sense of defiance and self-assurance, suggesting that she is fully aware of her vocal shortcomings as perceived by others, particularly vocal teachers. She humorously suggests that any vocal teacher listening to her would "rather cut [her] throat than do anything," indicating a playful acknowledgment of her unconventional approach to singing. This lighthearted yet defiant statement reflects London's confidence in her own instincts and her willingness to challenge traditional norms and expectations within the realm of vocal performance.

London's assertion that she does "everything all wrong" in terms of vocal technique is a bold declaration that speaks to her willingness to embrace her perceived limitations as a singer. Rather than conforming to established standards of vocal excellence, London asserts that her unconventional approach is, in fact, her greatest strength. She suggests that her lack of formal vocal training and her idiosyncratic singing style are integral to her artistic identity, leading her to conclude that her voice is not a traditional instrument but a means of expressing her unique sense of style and emotion.

The quote also reflects London's belief that her authenticity as a vocalist lies in her refusal to conform to conventional standards of singing. By asserting that she does not believe she has a voice in the traditional sense, London emphasizes the importance of personal expression and individuality in her artistry. She implies that her true artistic power lies in her ability to project emotion and style through her singing, rather than adhering to technical perfection or conventional vocal norms.

Furthermore, London's suggestion that if she were to learn to sing, she would "lose [her] style" underscores her conviction that her unpolished and untrained approach to singing is integral to her artistic identity. This sentiment speaks to the idea that artistic authenticity often lies in embracing one's imperfections and idiosyncrasies, rather than striving for flawless technical execution. London's insistence on preserving her unique style, even at the expense of traditional vocal refinement, highlights her commitment to artistic integrity and individuality.

In essence, Julie London's quote encapsulates her singular approach to singing and her unwavering commitment to authenticity and style in her artistry. Through her candid and self-assured words, she offers a glimpse into the mindset of a confident and uncompromising artist who values personal expression and individuality above all else. By embracing her perceived vocal limitations and celebrating her distinctive style, London's quote serves as a testament to the power of artistic authenticity and the enduring appeal of unbridled creativity in the world of music.

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