Meaning: This quote by Mohsen Makhmalbaf, an influential Iranian filmmaker, encapsulates a fundamental principle in the art of filmmaking and storytelling. Makhmalbaf is known for his thought-provoking and visually engaging works that often delve into complex social and political themes. In this quote, Makhmalbaf suggests that the style of a film – its visual and narrative elements – should be intricately linked to the subject matter it seeks to explore.

Makhmalbaf's assertion highlights the importance of aligning the creative expression with the substance of the story being told. Filmmakers, as visual storytellers, must carefully consider how the visual and narrative elements of their work can serve the subject matter in the most impactful way. This approach requires a deep understanding of the subject matter and a deliberate choice of stylistic elements that can effectively convey its essence to the audience.

In practical terms, Makhmalbaf's quote implies that the visual and narrative style of a film should not be arbitrary or detached from its subject. Instead, it should be intentionally crafted to complement and enhance the themes, characters, and messages within the story. Whether through the use of cinematography, editing techniques, sound design, or narrative structure, the style of the film should be purposefully tailored to serve the subject matter at hand.

Makhmalbaf's own body of work exemplifies his adherence to this principle. Throughout his career, he has explored a wide range of topics, from the struggles of marginalized individuals to the broader societal and political issues in Iran and beyond. In each of his films, the stylistic choices are deeply intertwined with the subject matter, creating a cohesive and immersive cinematic experience for the audience.

For instance, in his critically acclaimed film "Kandahar," Makhmalbaf addresses the harrowing realities of life under Taliban rule in Afghanistan. The film's visual style – characterized by stark desert landscapes, somber color palettes, and intimate character portraits – mirrors the bleakness and urgency of its subject matter. Through this deliberate alignment of style and subject, Makhmalbaf effectively conveys the gravity of the social and humanitarian issues at the heart of the narrative.

Furthermore, Makhmalbaf's quote speaks to the dynamic nature of storytelling and filmmaking. It acknowledges that different subjects may demand different stylistic approaches, urging filmmakers to adapt their creative expression to best serve the unique requirements of each narrative. Whether tackling historical dramas, contemporary social issues, personal narratives, or experimental storytelling, filmmakers must be attuned to the specific demands of the subject matter and respond with an appropriate and meaningful stylistic language.

In conclusion, Mohsen Makhmalbaf's quote encapsulates a fundamental principle in filmmaking – the inseparable link between style and subject. By emphasizing the need for a harmonious alignment of visual and narrative elements with the essence of the story being told, Makhmalbaf underscores the power of intentional and purposeful storytelling. Filmmakers and storytellers can draw inspiration from this guiding principle as they navigate the intricate relationship between form and content in their creative endeavors.