Meaning: This quote by Mohsen Makhmalbaf, a renowned Iranian film director, reflects the challenges he faced while working on a film project involving the Afghan community. The quote highlights the lack of cooperation within the Afghan community itself, particularly the reluctance of women to participate and the unwillingness of different ethnic groups to work together. This not only sheds light on the specific difficulties Makhmalbaf faced during the production of his film but also touches upon broader issues related to cultural, social, and gender dynamics within the Afghan community.

Makhmalbaf's mention of the Afghan women living in Iran being "under cover" and not willing to participate in the film points to the complex and often restrictive circumstances that these women may have been experiencing. It implies that cultural and societal norms, as well as potential personal safety concerns, may have led to their reluctance to engage with the project. This reluctance could be rooted in a variety of factors, including traditional gender roles, societal expectations, and the potential risks associated with being involved in a public or creative endeavor. The quote thus raises important questions about the agency and autonomy of Afghan women, as well as the broader challenges they face within the Iranian and Afghan cultural contexts.

Furthermore, Makhmalbaf's observation about the lack of willingness of different ethnic groups to work together or be together speaks to the deep-seated divisions and tensions that exist within the Afghan community. Afghanistan is a diverse country with various ethnic groups, including Pashtuns, Tajiks, Hazaras, and Uzbeks, among others. These groups have distinct cultural, linguistic, and historical backgrounds, and their relationships have been shaped by complex dynamics of power, conflict, and identity. Makhmalbaf's experience highlights the persistent challenges of fostering unity and collaboration among these diverse groups, which have been exacerbated by historical conflicts, political instability, and social fragmentation.

The quote also raises broader questions about the dynamics of representation, inclusion, and collaboration within the context of filmmaking and cultural production. It points to the complexities of engaging with communities that have experienced displacement, marginalization, and trauma, and the ethical considerations that arise when artists and creators seek to portray their stories. Makhmalbaf's struggles with the lack of cooperation within the Afghan community underscore the importance of approaching such projects with sensitivity, empathy, and a deep understanding of the social and cultural dynamics at play.

In conclusion, Mohsen Makhmalbaf's quote reveals the intricate challenges he faced while working on a film project involving the Afghan community. It sheds light on the complexities of cultural, social, and gender dynamics within the Afghan community, as well as the broader issues of representation, collaboration, and inclusivity in the context of filmmaking. By acknowledging the reluctance of Afghan women and the divisions among ethnic groups, Makhmalbaf's quote prompts critical reflection on the complexities of engaging with marginalized communities and the ethical responsibilities of artists and creators in representing their stories.