Meaning: This quote by Mako Mako, an actor, reflects the challenges and struggles he faced while working on a production involving the music of Stephen Sondheim. Sondheim is an acclaimed composer and lyricist known for his complex and intricate musical compositions. Mako Mako's experience sheds light on the demanding nature of Sondheim's music and the pressure that performers can feel when tasked with mastering such material.

Mako Mako's admission that he had no idea how difficult Sondheim's music would be highlights the level of complexity and sophistication inherent in Sondheim's compositions. Sondheim's music is renowned for its intricate melodies, complex harmonies, and frequent changes in tempo and time signatures. For performers, this presents a significant challenge that requires a high level of skill and musical proficiency to execute successfully.

The reference to repeatedly "flubbing" during rehearsals underscores the difficulty Mako Mako encountered in mastering the music. The term "flubbing" suggests making mistakes or errors, indicating that Mako Mako struggled to meet the musical demands placed upon him. This experience is relatable to many performers who have grappled with challenging material, and it emphasizes the importance of perseverance and dedication in the face of artistic challenges.

Mako Mako's mention of the numerous tempo changes in Sondheim's music further emphasizes the technical complexity of the compositions. Tempo changes require precise timing and a deep understanding of the music, adding another layer of difficulty for performers. The struggle to navigate these tempo changes speaks to the rigorous musical requirements that actors and musicians must confront when interpreting Sondheim's work.

The actor's admission that he could never get through the opening number without any mistakes highlights the frustration and self-doubt that can arise when grappling with demanding material. It is a testament to the high standards that performers set for themselves and the pressure they feel to deliver flawless performances, especially in the context of a high-profile production.

Mako Mako's offer to leave the show out of frustration and self-doubt provides insight into the emotional toll of struggling with challenging material. It reflects the vulnerability and insecurity that performers may experience when they feel unable to meet the demands of a role or musical score. Mako Mako's willingness to consider walking away from the production underscores the intense personal and professional stakes involved in performing arts.

Hal Prince's response to Mako Mako's offer to leave the show - "Don't be silly. That's why we have tryouts" - offers a reassuring perspective on the process of artistic development. Prince's dismissal of Mako Mako's self-doubt and his acknowledgment of the purpose of tryouts convey a message of support and understanding. It communicates that making mistakes and facing challenges are natural and expected parts of the creative process, particularly during the early stages of a production.

In conclusion, Mako Mako's quote provides a window into the demanding nature of Stephen Sondheim's music and the challenges that performers can encounter when grappling with such material. It underscores the technical complexity, emotional strain, and personal resilience required to navigate and ultimately master intricate musical compositions. Through Mako Mako's experience and Hal Prince's response, the quote also offers a valuable reminder of the perseverance and support necessary for artists to overcome obstacles and grow in their craft.