Meaning: This quote by Norman McLaren, a renowned Scottish-Canadian animator and film director, provides insight into the relationship between visual elements and sound in the context of animation and filmmaking. McLaren was known for his innovative techniques, particularly in the realm of visual music, where he explored the synchronization of sound and image. This quote encapsulates his understanding of how the visual components of animation can directly influence the auditory experience for the audience.

McLaren's statement begins by emphasizing the correlation between the number of strokes to the inch and the pitch of the note. This concept is particularly relevant in the context of creating hand-drawn animation, where the visual representation of sound waves can directly impact the perceived pitch. By manipulating the density of strokes, animators can create a visual rhythm that translates into an auditory experience for the viewer. The more strokes per inch, the higher the pitch, while fewer strokes result in a lower pitch. This insight underscores the interconnectedness of visual and auditory elements in the art of animation.

Furthermore, McLaren highlights the significance of stroke size in controlling the loudness of the sound. Just as the density of strokes influences pitch, the physical dimensions of the strokes can affect the perceived volume or intensity of the accompanying sound. This insight sheds light on the meticulous and deliberate nature of animation, where even the subtlest visual variations can have a direct impact on the overall sensory experience for the audience.

However, McLaren also acknowledges that while pitch and loudness can be controlled through visual elements, the most challenging aspect to manage is the tone quality. He attributes this elusive quality to the shape of the strokes, suggesting that the visual characteristics of the animation directly contribute to the timbre and overall tonal attributes of the accompanying sound. This observation underscores the complexity of creating a harmonious integration of visual and auditory elements in animation, as achieving the desired tone quality demands a nuanced understanding of how visual shapes and forms translate into auditory sensations.

Overall, Norman McLaren's quote encapsulates the intricate relationship between visual and auditory elements in the realm of animation and filmmaking. His insights underscore the deliberate and thoughtful approach required to create a seamless fusion of sight and sound, where the visual components not only complement but actively shape the auditory experience for the audience. McLaren's contributions to the field of visual music and animation continue to inspire and inform contemporary artists and filmmakers seeking to explore the dynamic interplay between visual and auditory storytelling.