Meaning: Christine McVie, a musician and member of the iconic band Fleetwood Mac, made this statement reflecting her perspective on the relatively new phenomenon of music videos. Her comment suggests a traditional approach to music promotion and the visual representation of songs, emphasizing the band's limited engagement with the video medium. This quote provides insight into the band's attitude towards music videos and their creative process, offering a glimpse into their artistic decisions and preferences during a time of significant change in the music industry.

Fleetwood Mac, a British-American rock band formed in 1967, rose to prominence in the 1970s and 1980s with their distinctive blend of rock, pop, and blues. As the music landscape evolved, the emergence of music videos as a promotional tool became increasingly influential in shaping artists' public image and reaching wider audiences. However, McVie's statement underscores the band's deliberate approach to this aspect of their career, revealing a certain reluctance or reservation towards fully embracing the visual medium.

McVie's assertion that Fleetwood Mac had only produced two music videos indicates a deliberate selectivity in their use of this promotional tool. This approach contrasts with the prolific video output of many of their contemporaries and successors in the music industry. By acknowledging the band's limited engagement with music videos, McVie hints at a prioritization of other forms of artistic expression and promotion, such as live performances, album artwork, and traditional media coverage.

The quote also sheds light on the band's artistic values and priorities. McVie's characterization of herself as "old-fashioned" in the context of the video business suggests a commitment to authenticity and a focus on the core elements of music-making rather than the visual spectacle often associated with music videos. This sentiment aligns with Fleetwood Mac's reputation for creating emotionally resonant, introspective music that transcends fleeting trends and superficial imagery.

In a broader sense, McVie's statement reflects the tension between tradition and innovation in the music industry. As new technologies and promotional strategies continue to reshape the landscape, artists and bands are often faced with the challenge of navigating these changes while staying true to their artistic vision. Fleetwood Mac's approach, as articulated by McVie, underscores the importance of maintaining a sense of artistic integrity and staying true to one's creative instincts amid the evolving demands of the industry.

Furthermore, McVie's comment invites reflection on the impact of music videos on the listening experience and the interpretation of songs. By emphasizing the band's limited involvement in this visual medium, she highlights the significance of the music itself and the emotional connection it fosters with listeners. In an era when music videos have become integral to the consumption and popularization of music, McVie's perspective serves as a reminder of the power of the music itself to convey meaning and evoke emotions without relying on visual accompaniment.

In conclusion, Christine McVie's statement offers valuable insights into Fleetwood Mac's approach to music videos and their broader artistic philosophy. By expressing a traditional and selective attitude towards this evolving aspect of the music industry, she illuminates the band's commitment to authenticity, musical integrity, and the timeless power of their songs. Her words resonate as a testament to the enduring impact of Fleetwood Mac's music, transcending the transient nature of visual trends and reaffirming the enduring value of their artistic legacy.