Meaning: Fred Melamed, a renowned actor, candidly reflects on his career and personal realization in the quote, "Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me." This powerful statement encapsulates the internal struggles and revelations experienced by individuals in the creative industry.

Fred Melamed's mention of his extensive experience in acting underscores his deep involvement and dedication to his craft. Having participated in numerous productions and even gracing prestigious stages like the Guthrie Theatre and Broadway, Melamed's resume is a testament to his commitment and talent. However, despite his success, he openly admits that he came to the realization that stage acting was not his true passion.

The notion of discovering this truth in his thirties further emphasizes the idea of personal growth and self-discovery. It speaks to the idea that it is never too late to reassess one's goals and aspirations, even after investing a significant amount of time and effort into a particular path. Melamed's willingness to confront this realization reflects a sense of introspection and self-awareness that is crucial for personal and professional development.

Melamed's aversion to stage acting, as he describes it, stems from various factors that he found to be "unnatural" to him. The presence of the audience, the demanding schedule of eight shows a week, and the potential for long runs all contributed to his discomfort. This insight sheds light on the multifaceted nature of the acting profession and the diverse preferences and challenges that actors may encounter in their careers.

The presence of the audience, a defining aspect of stage acting, can evoke both exhilaration and pressure for performers. While some thrive on the immediate feedback and energy of a live audience, others may find it overwhelming or constraining. Melamed's acknowledgment of this element suggests that the dynamics of interacting with an audience did not align with his personal inclinations as an actor.

Additionally, the rigorous schedule of performing eight shows a week can be physically and mentally taxing for actors. The demand for consistency and endurance in delivering performances can place significant strain on individuals, especially if it conflicts with their natural rhythms or preferences. Melamed's recognition of this aspect highlights the grueling nature of stage acting and the impact it can have on an actor's well-being.

Furthermore, the prospect of long runs, while appealing to some actors for the stability and exposure it offers, may not resonate with others. The commitment to a single production for an extended period can pose challenges for those who thrive on variety and change. Melamed's candid assessment of this aspect underscores the importance of aligning one's career choices with their inherent preferences and inclinations.

In conclusion, Fred Melamed's introspective revelation about his feelings towards stage acting offers valuable insights into the complexities of pursuing a career in the performing arts. His willingness to confront his true sentiments and share them publicly serves as a reminder that self-discovery and personal fulfillment are essential considerations in any professional journey. By openly acknowledging his internal conflict and eventual realization, Melamed encourages others to reflect on their own paths and make choices that resonate with their authentic selves.