Meaning: This quote by H.L. Mencken draws a vivid analogy between the opera and a bawdy house, contrasting them with a cathedral. The comparison is a striking one, highlighting the perceived differences between these three establishments and the artistic, moral, and cultural values they represent.

In this quote, Mencken uses a metaphor to convey his critical perspective on the opera. He suggests that the opera, with its dramatic and sometimes scandalous themes, is akin to a bawdy house—a place associated with promiscuity and immorality. On the other hand, he contrasts this with the cathedral, a symbol of religious sanctity and spiritual reverence. By juxtaposing these contrasting images, Mencken offers a provocative commentary on the opera's perceived moral and artistic standing.

The opera has long been a subject of fascination and critique. It is a form of musical theater that combines music, drama, and visual arts to create a compelling and often emotionally charged performance. Operas often explore themes of love, passion, tragedy, and human emotion, and they are known for their extravagant productions and elaborate costumes. However, the content of some operas has been controversial, with themes that push the boundaries of societal norms and moral values. Mencken's comparison of the opera to a bawdy house suggests that he sees the opera as a place of moral ambiguity and sensuality, much like the notorious reputation of a bawdy house.

On the other hand, Mencken juxtaposes the opera with the cathedral, a place of worship and spiritual significance. Cathedrals are monumental structures that have historically been associated with religious devotion, divine reverence, and moral rectitude. By aligning the cathedral with these qualities, Mencken implies that he views it as a symbol of moral purity and cultural refinement. The stark contrast between the opera and the cathedral in Mencken's quote serves to underscore his critical view of the former.

It is worth noting that Mencken was known for his acerbic wit and often controversial viewpoints. As a writer and cultural critic, he was unafraid to challenge conventional norms and provoke thought through his writing. In this quote, Mencken employs his characteristic style to offer a pointed commentary on the perceived moral and cultural differences between the opera and the cathedral.

This quote can be interpreted in various ways, and its meaning may resonate differently with different audiences. Some may see Mencken's comparison as a scathing indictment of the opera, while others may view it as a thought-provoking exploration of the interplay between art, morality, and cultural values. Regardless of one's interpretation, the quote undoubtedly invites contemplation on the complex relationship between artistic expression, moral judgment, and societal attitudes.

In conclusion, H.L. Mencken's quote comparing the opera to a bawdy house and contrasting it with a cathedral offers a compelling juxtaposition of artistic, moral, and cultural values. Through this analogy, Mencken provokes contemplation on the perceived differences between these establishments and the implications for society's understanding of art and morality. Whether one agrees or disagrees with Mencken's perspective, his quote serves as a thought-provoking reflection on the multifaceted nature of artistic expression and cultural critique.