Meaning: Hayao Miyazaki, the legendary Japanese film director, animator, and co-founder of Studio Ghibli, is known for his thought-provoking quotes that often reflect his views on society, gender, and the human condition. The quote "When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something," provides a fascinating insight into Miyazaki's perspective on gender and the portrayal of female characters in media, particularly in the context of violence and weaponry.

Miyazaki's quote appears to highlight a stark contrast between the perceived normalcy of men engaging in violent actions, such as shooting a handgun, as opposed to women. The notion that "it's just like he is shooting because that's his job, and he has no other choice" implies a sense of resignation and inevitability, suggesting that for men, violence may be seen as a duty or an expected behavior. This sentiment reflects a societal acceptance of male aggression and violence as a norm, particularly in the context of traditional gender roles and expectations.

On the other hand, Miyazaki's assertion that "When a girl is shooting a handgun, it's really something" suggests a departure from the expected or the ordinary. The use of the word "something" implies a sense of uniqueness or exceptionality, indicating that the act of a girl or woman engaging in violent behavior is perceived as remarkable or noteworthy. This viewpoint may stem from Miyazaki's desire to challenge gender stereotypes and conventional representations of female characters in media, where they are often relegated to passive or non-violent roles.

Miyazaki's quote aligns with his broader body of work, which often features strong, complex, and independent female protagonists who defy traditional gender norms. In films such as "Princess Mononoke," "Spirited Away," and "Nausicaä of the Valley of the Wind," Miyazaki presents female characters who are courageous, resourceful, and capable of wielding power and agency. These characters subvert expectations and offer audiences a different perspective on the role of women in storytelling, particularly within the context of action and conflict.

Furthermore, Miyazaki's quote may also be interpreted as a commentary on the portrayal of violence in media and its impact on gender perceptions. By drawing attention to the distinct reactions to male and female characters engaging in violent acts, Miyazaki prompts reflection on the underlying biases and assumptions that inform these reactions. His statement challenges the notion that violence is inherently more ordinary or acceptable when perpetrated by male characters, while emphasizing the significance and impact of female agency in such scenarios.

Overall, Hayao Miyazaki's quote encapsulates his nuanced approach to storytelling and character development, particularly with regard to gender representation and societal expectations. By questioning the conventional treatment of male and female characters in the context of violence and weaponry, Miyazaki encourages audiences to reconsider ingrained gender stereotypes and to embrace more diverse and multifaceted portrayals of women in media. His perspective serves as a reminder of the importance of challenging preconceived notions and advocating for greater inclusivity and complexity in the portrayal of gender in storytelling and popular culture.

In conclusion, Hayao Miyazaki's quote "When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something" offers a thought-provoking commentary on gender, violence, and representation in media. Through this quote, Miyazaki underscores the need for more diverse and empowering portrayals of female characters, while challenging prevailing norms and expectations regarding the depiction of violence and agency based on gender. His words resonate with his broader body of work, which consistently champions strong and multifaceted female protagonists, and serve as a compelling call for greater awareness and inclusivity in storytelling.