Actually, there was another band where we were three girls, around '84 when I met John Zorn, called Sunset Chorus. It was just bass and drums and guitar- we didn't make any records but we played a lot of different clubs in New York.

Profession: Musician

Topics: Girls, Guitar, Sunset,

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Meaning: Ikue Mori, a renowned musician known for her innovative work in the experimental and avant-garde music scene, shared this quote in an interview, reflecting on her early experiences in music. The quote sheds light on Mori's formative years as a musician and her involvement in a band called Sunset Chorus. This period, around 1984, was a significant time in Mori's career, as it marked her introduction to John Zorn, a pivotal figure in the downtown New York music scene.

During this time, Mori was part of Sunset Chorus, a band comprised of three girls, with Mori on drums, a bassist, and a guitarist. Despite not recording any albums, the band was actively involved in the vibrant club scene in New York City. Their performances at various clubs provided them with the opportunity to showcase their music and connect with audiences in the burgeoning downtown music scene.

Mori's mention of John Zorn in the quote is particularly noteworthy. John Zorn is a highly influential figure in experimental music, known for his avant-garde compositions and his role in shaping the downtown New York music scene. Mori's encounter with Zorn during her time with Sunset Chorus holds significant importance in her musical journey, as it likely exposed her to new musical ideas and expanded her network within the music community.

The quote provides valuable insight into the early stages of Mori's career and her immersion in the dynamic music culture of downtown New York during the 1980s. It offers a glimpse into the DIY ethos and the spirit of experimentation that characterized the music scene at the time. Mori's involvement in Sunset Chorus exemplifies her willingness to explore unconventional musical avenues and collaborate with like-minded artists to create unique sonic experiences.

As a musician, Ikue Mori has continuously pushed the boundaries of traditional music, incorporating elements of improvisation, electronic music, and avant-garde techniques into her work. Her background as a drummer in Sunset Chorus likely contributed to her distinctive approach to rhythm and sound manipulation, which has become a hallmark of her solo and collaborative projects.

Mori's recollection of her time in Sunset Chorus serves as a testament to the diverse and eclectic nature of the New York music scene during the 1980s. It underscores the importance of live performances and grassroots musical movements in shaping the artistic trajectories of emerging musicians. Additionally, her mention of the band highlights the often overlooked contributions of female musicians in the male-dominated realm of experimental and avant-garde music.

In conclusion, Ikue Mori's quote about her experience with Sunset Chorus offers a compelling glimpse into her early musical endeavors and her formative encounters within the vibrant downtown New York music scene. It illuminates the collaborative and exploratory spirit that defined her approach to music and serves as a testament to the rich artistic milieu of the time. Mori's journey from her days with Sunset Chorus to her current status as a pioneering figure in experimental music exemplifies the enduring impact of her early experiences and the enduring influence of the downtown New York music scene on her artistic evolution.

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