Meaning: Ikue Mori is a Japanese drummer, composer, and electronic musician known for her innovative and unconventional approach to music. The quote "I got tired of different drum sounds so you buy different effects for more manipulation" reflects Mori's creativity and willingness to experiment with sound manipulation and electronic effects.

Mori's statement can be interpreted in several ways. On one level, it suggests a dissatisfaction with traditional drum sounds and a desire to explore new sonic possibilities. As a drummer, Mori likely sought to expand her sonic palette beyond the limitations of acoustic drums. By expressing that she "got tired of different drum sounds," Mori implies a sense of restlessness and a need for new sonic experiences.

The phrase "so you buy different effects for more manipulation" speaks to Mori's proactive approach to addressing this dissatisfaction. Rather than passively accepting the limitations of traditional drum sounds, she actively sought out new tools and technologies to expand her sonic vocabulary. This demonstrates Mori's resourcefulness and determination to push the boundaries of her musical expression.

Mori's embrace of electronic effects and manipulation aligns with her broader musical aesthetic, which incorporates elements of improvisation, avant-garde experimentation, and the use of technology to create otherworldly sounds. Electronic effects offer a vast range of sonic possibilities, allowing artists to transform and manipulate sounds in ways that would be impossible with acoustic instruments alone.

In the context of electronic music and experimental sound art, the use of effects for manipulation is a common practice. Artists often use pedals, processors, and software to alter the timbre, pitch, dynamics, and spatialization of sound sources, creating immersive and otherworldly sonic landscapes. For Mori, the use of effects represents a means of transcending the limitations of traditional drum sounds and accessing a broader sonic palette.

Mori's statement also speaks to the evolving nature of music production and the role of technology in shaping contemporary musical aesthetics. The availability of a wide range of effects and processing tools has expanded the sonic possibilities for musicians across genres, enabling them to create increasingly complex and nuanced soundscapes. In this sense, Mori's approach reflects a broader trend in contemporary music production, where the boundaries between acoustic and electronic sound are continually being blurred.

Furthermore, Mori's statement highlights the importance of sonic experimentation and the pursuit of new sonic textures and timbres. As a musician known for her boundary-pushing approach, Mori's use of effects for manipulation aligns with a broader ethos of sonic exploration and pushing the boundaries of what is musically possible.

In conclusion, Ikue Mori's quote encapsulates her innovative and experimental approach to music, reflecting a desire to transcend the limitations of traditional drum sounds and explore the sonic possibilities offered by electronic effects and manipulation. Through her willingness to embrace new technologies and push the boundaries of sonic expression, Mori has established herself as a pioneering figure in the realms of electronic music and experimental sound art. Her quote serves as a testament to the power of creativity, resourcefulness, and sonic exploration in shaping the future of music.