That piece has been choreographed so badly so many times. I'm loathe to do it but I may eventually because it is one of the seminal art works of the twentieth century.

Profession: Dancer

Topics: Art, May,

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Meaning: This quote by Mark Morris, a renowned dancer and choreographer, touches upon the complex relationship between artists and their own work. The quote reflects Morris's hesitation to choreograph a particular piece due to its history of being poorly choreographed in the past, despite recognizing its significance as one of the seminal art works of the twentieth century.

Mark Morris is known for his innovative and often controversial approach to dance and choreography. His work pushes boundaries and challenges traditional norms, earning him a reputation as a fearless and uncompromising artist. Therefore, when he expresses reluctance to engage with a specific piece, it highlights the depth of his artistic integrity and the standards he holds for his craft.

The phrase "choreographed so badly so many times" suggests that the piece in question has been mishandled or misinterpreted by other choreographers in the past. This can be a source of frustration for any artist who deeply cares about their work, as seeing it misrepresented can be disheartening. It also speaks to the challenges of preserving the integrity of a seminal work when it has been subject to multiple interpretations that may not have done justice to its original intention.

Morris's internal conflict is evident in his admission that he may eventually choreograph the piece despite his reluctance. This conveys the complexity of artistic decisions and the internal struggle that many artists face when grappling with the tension between their personal standards and the significance of a particular work within the broader artistic canon.

The acknowledgment of the piece as "one of the seminal art works of the twentieth century" underscores its historical and cultural importance. Despite any reservations about its previous treatment, it remains a crucial part of the artistic landscape. This recognition raises questions about the responsibility of artists when engaging with historically significant works – how to honor their legacy while also bringing a fresh perspective and interpretation.

Morris's willingness to confront this internal conflict and potentially take on the challenge of choreographing the piece reflects the resilience and determination of a true artist. It also highlights the ongoing dialogue and evolution within the arts, as artists continue to engage with and reinterpret seminal works in new and meaningful ways.

In conclusion, Mark Morris's quote captures the intricate dynamics between an artist, their work, and the broader artistic context. It provides insight into the complexities of artistic decision-making, the challenges of preserving the integrity of significant works, and the ongoing evolution of artistic interpretation. It also serves as a reminder of the enduring impact and influence of seminal art works, as well as the ongoing responsibility of artists to engage with and contribute to their rich legacy.

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