Meaning: Mark Morris, a renowned dancer and choreographer, expressed his inclination towards collaborative work in the field of dance in the quote, "I build duets into bigger works. I like to see people working together. What we call a giant solo in my company is about four bars long while twenty other people are doing something dynamically. I like the charge that is set up by a lot of people doing something." This statement reflects Morris's artistic philosophy and approach to choreography, emphasizing the significance of collective effort and the dynamic interplay between individual expression and group collaboration.

Throughout his career, Morris has been recognized for his innovative and inclusive approach to dance, often incorporating diverse styles, music, and themes into his works. His commitment to building "duets into bigger works" underscores his belief in the power of synergy and the creative potential that emerges from the interaction of multiple dancers within a larger composition. Rather than focusing solely on spotlighting individual performers, Morris strives to create harmonious and visually compelling ensembles that showcase the collective energy and artistry of the group.

Morris's reference to a "giant solo" lasting only "about four bars long" while emphasizing the simultaneous activity of "twenty other people" underscores his preference for choreographic structures that highlight the interconnectedness of dancers and their contributions to the overall composition. This approach not only challenges the traditional hierarchy of soloist versus ensemble but also reflects Morris's vision of dance as a communal and collaborative art form where each dancer's presence enriches the collective performance.

Furthermore, Morris's emphasis on "something dynamically" being performed by the twenty other people during the "giant solo" speaks to his interest in creating visually and emotionally layered compositions that engage the audience on multiple levels. By orchestrating complex interactions and movements within the larger ensemble, Morris seeks to evoke a sense of dynamism and depth, inviting viewers to appreciate the intricacies of the choreography and the diverse expressions of the performers.

The "charge" that Morris mentions, which is "set up by a lot of people doing something," points to the electric and dynamic energy that emerges from the collaborative efforts of the dancers. This notion aligns with Morris's belief in the transformative power of collective action, where the combined presence and movements of the ensemble generate a palpable and exhilarating force that resonates with audiences. For Morris, the charge emanates from the synchronized, harmonious, and purposeful actions of the dancers, creating a captivating and immersive experience for both performers and spectators.

In conclusion, Mark Morris's quote encapsulates his artistic philosophy centered on collaborative creativity, the integration of individual and collective expressions, and the dynamic interplay within the ensemble. By valuing the contributions of each dancer and emphasizing the collective charge generated by their collaborative efforts, Morris continues to shape the landscape of contemporary dance, inspiring artists and audiences alike with his inclusive and innovative approach to choreography.