Meaning: The quote by Richard Morris, a clergyman, highlights the significance of inaudible prayers, especially within the Canon, in the traditional structure of the Mass. It suggests that these quiet prayers, which may not appear to be directly related to music, actually play a crucial role in the aesthetic experience of the Mass. To fully understand the implications of this quote, it is essential to delve into the context of the traditional structure of the Mass, the role of inaudible prayers within it, and the connections between these prayers and the aesthetic experience.

The traditional structure of the Mass in the Catholic Church is characterized by a formal and ritualistic order. It consists of various parts, including the Introductory Rites, Liturgy of the Word, Liturgy of the Eucharist, and Concluding Rites. The Canon of the Mass, also known as the Eucharistic Prayer, is a central and sacred part of the Liturgy of the Eucharist. It is during the Canon that the consecration of the bread and wine takes place, transforming them into the body and blood of Christ according to Catholic belief.

Within the Canon, there are moments of silent or inaudible prayers offered by the celebrant, typically the priest, as well as by the congregation. These prayers are integral to the solemnity and reverence of the Eucharistic Prayer. While the congregation may not audibly hear these prayers, their significance lies in the spiritual and symbolic connection they establish between the celebrant, the congregation, and the divine.

Richard Morris's assertion that these inaudible prayers are a crucial part of the aesthetic of the traditional structure of the Mass underscores their role in creating a sense of sacredness and beauty within the liturgical experience. The aesthetic aspect of the Mass encompasses not only visual elements such as art, architecture, and vestments but also auditory and experiential components, including music, silence, and ritual actions. In this context, the inaudible prayers of the Canon contribute to the overall aesthetic by adding depth and spiritual resonance to the Mass.

The connection between inaudible prayers and music, as suggested in the quote, can be understood in several ways. Firstly, within the context of liturgical music, the inaudible prayers provide a counterpoint to the vocal and musical elements of the Mass. While the congregation may be engaged in singing hymns or responses, the moments of silence and inaudible prayers serve as a harmonic backdrop, enhancing the musical and auditory tapestry of the Mass.

Furthermore, the inaudible prayers themselves can be seen as a form of "musical" expression. Although they are not vocalized, they possess a rhythm and cadence that align with the flow of the Eucharistic Prayer. The silent gestures and movements of the celebrant during these prayers also contribute to the overall choreography of the Mass, akin to a silent symphony where the movements of the participants convey meaning and symbolism.

Moreover, the quote alludes to the idea that the inaudible prayers, despite their initial lack of apparent connection to music, ultimately become intertwined with the musical and aesthetic dimensions of the Mass. This suggests that the integration of silence and inaudible prayers is essential for the holistic and multi-sensory experience of the liturgy. Just as rests and pauses are integral to musical compositions, the moments of quiet contemplation and inaudible prayers are essential components of the sacred symphony that is the Mass.

In conclusion, Richard Morris's quote sheds light on the often overlooked yet profound significance of inaudible prayers, particularly within the Canon of the Mass, in shaping the aesthetic experience of the traditional liturgy. These prayers, while not overtly musical, contribute to the overall beauty, solemnity, and spiritual depth of the Mass. By understanding the role of inaudible prayers within the traditional structure of the Mass and their connection to the aesthetic and musical dimensions of the liturgy, one can gain a deeper appreciation for the intricate tapestry of the sacred experience.