I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.

Profession: Musician

Topics: Chicago, Credit, Hell, Style, Today,

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Meaning: The quote "I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style." by Jelly Morton, also known as Jelly Roll Morton, sheds light on the struggles and frustrations faced by many African American musicians during the early 20th century. Born Ferdinand Joseph LaMothe in 1890, Jelly Roll Morton was a pioneering jazz pianist, composer, and bandleader. He played a crucial role in the development of jazz music and was one of the first important composers and arrangers in the genre.

The quote reflects Morton's sense of betrayal and disillusionment as he felt that his contributions to the development of jazz music had been overlooked and appropriated by others without proper acknowledgment or compensation. The reference to "Kansas City style, Chicago style, New Orleans style" highlights the wide influence of Morton's musical innovations and styles in different regions, yet he laments not receiving the credit and recognition he believed he deserved.

Jelly Roll Morton's frustration with being denied credit for his musical influence speaks to the broader issue of cultural appropriation and exploitation faced by many African American artists during this era. Despite his significant contributions to the evolution of jazz, Morton's financial and professional struggles were emblematic of the systemic barriers and injustices that characterized the music industry at the time.

Morton's quote also underscores the complex dynamics of cultural exchange and appropriation within the history of jazz and popular music. While his work profoundly impacted the development of jazz, the lack of recognition and financial compensation he experienced serves as a reminder of the inequities faced by African American musicians in a predominantly white-dominated industry.

It is important to acknowledge that Jelly Roll Morton's legacy extends far beyond his personal struggles. His compositions, arrangements, and innovative piano playing left an indelible mark on the jazz landscape and continue to influence musicians to this day. Morton's pioneering recordings, including his solo piano compositions and ensemble performances, showcase his distinctive style and enduring musical legacy.

In addition to his musical contributions, Jelly Roll Morton's outspoken personality and self-assured demeanor made him a colorful figure in the history of jazz. His autobiography, "Mister Jelly Roll," provides valuable insights into the early days of jazz and the vibrant cultural milieu in which he thrived.

Despite the challenges he faced, Jelly Roll Morton's impact on jazz music cannot be overstated. His quote serves as a poignant reminder of the complexities and injustices inherent in the music industry, particularly for African American artists during the early 20th century. Today, his enduring influence and innovative spirit continue to inspire musicians and audiences alike, ensuring that his legacy remains an integral part of the rich tapestry of jazz history.

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