Meaning: The quote "Art is subject to arbitrary fashion" by Kary Mullis, a renowned scientist, encapsulates a thought-provoking perspective on the nature of art and its relationship with cultural trends. Kary Mullis, a biochemist who was awarded the Nobel Prize in Chemistry in 1993 for his invention of the polymerase chain reaction (PCR) technique, was known for his innovative thinking and ability to challenge established norms. Despite being a scientist, Mullis often expressed opinions that extended beyond the realm of science, and his quote about art reflects a deep understanding of the dynamic and ever-changing nature of artistic expression.

Mullis' assertion that "Art is subject to arbitrary fashion" implies that the appreciation and valuation of art are influenced by ever-changing and often unpredictable trends. The word "arbitrary" suggests that these shifts in fashion are not necessarily based on inherent qualities or merits of the art itself, but rather on the whims and preferences of society at a given time. This observation aligns with the idea that art, as a form of creative expression, is deeply intertwined with the cultural, social, and political context in which it is produced and consumed.

From a historical perspective, the notion that art is subject to fashion is evident in the evolution of artistic movements and styles. Throughout the centuries, different artistic periods such as the Renaissance, Baroque, Romanticism, and Modernism have reflected the changing tastes and values of society. For example, the shift from the idealized forms of classical art to the emotive and subjective expression of Romanticism marked a significant change in artistic fashion, driven by a broader cultural shift towards individualism and emotional expression.

Moreover, Mullis' quote invites contemplation on the role of external influences, such as critics, collectors, and curators, in shaping the perception of art. The "fashion" to which he refers encompasses not only the artistic styles and movements that gain popularity but also the individuals and institutions that wield influence in the art world. This raises questions about the power dynamics and commercial interests that can impact the visibility and success of artists and their work.

In the contemporary art world, the concept of art being subject to arbitrary fashion is a topic of ongoing debate. The proliferation of social media, art fairs, and globalized art markets has contributed to an environment where trends can emerge and dissipate rapidly. The rise of certain artists to stardom, the commodification of art, and the role of speculation in driving prices at auctions are all manifestations of the "fashion" that shapes the art world today.

It is important to note that Mullis' background as a scientist adds an intriguing layer to his perspective on art. While the quote may not directly relate to his scientific achievements, it does highlight his capacity to discern patterns and dynamics in different disciplines. His ability to recognize the parallels between the unpredictable nature of artistic trends and the complex, ever-changing landscape of scientific discovery speaks to his interdisciplinary mindset.

In conclusion, Kary Mullis' quote "Art is subject to arbitrary fashion" presents a compelling insight into the ebb and flow of artistic expression within the context of broader cultural and societal influences. By acknowledging the impact of changing tastes, critical reception, and market forces on the perception of art, Mullis prompts us to consider the multifaceted nature of artistic value and the interconnectedness of art with the world in which it exists.