Meaning: This quote by C. Myers reflects on the modern perception of saints and their representations in the context of contemporary society. The author suggests that saints have been marginalized and confined to a nostalgic, outdated world, symbolized by the pink, blue, and gold plaster statuary that is often associated with them. The quote implies that this portrayal of saints belongs to the past, specifically to the Dark Ages, and is a remnant of a time when people were more inclined to believe in fantastical and magical elements.

The reference to the "pink and blue and gold world of plaster statuary" brings to mind the traditional depictions of saints in religious art and iconography. In many cultures, saints are often depicted in statues and paintings adorned with vibrant colors and gilded details. These representations are rooted in centuries-old traditions and have become emblematic of the way saints are visually depicted in religious settings.

The author's use of the term "relegated" suggests that saints have been marginalized or relegated to a secondary or less prominent position in contemporary society. This may be seen as a commentary on the diminishing significance of saints in modern religious and cultural discourse. The quote also implies that the portrayal of saints as magical or fantastical figures is a remnant of a bygone era, specifically the Dark Ages, when such beliefs were more prevalent.

The Dark Ages, also known as the medieval period, was characterized by a strong influence of religious beliefs and superstitions. During this time, the concept of saints as intercessors between humanity and the divine held significant sway, and their miraculous powers and otherworldly attributes were widely celebrated and revered. The quote's reference to the Dark Ages serves to underscore the idea that the traditional portrayal of saints is a product of an era marked by a more mystical and fantastical worldview.

By characterizing the traditional portrayal of saints as a "hangover" and a "relic," the author suggests that this representation is outdated and no longer relevant to contemporary society. The use of these terms conveys a sense of detachment and dismissiveness toward the traditional depictions of saints, implying that they are remnants of a bygone era that no longer hold sway in the modern world.

In essence, the quote raises thought-provoking questions about the evolving perceptions of saints and the ways in which they are represented in contemporary culture. It prompts us to consider how the portrayal of saints has evolved over time and how it reflects broader shifts in religious, cultural, and societal attitudes. Moreover, it invites contemplation on the role of tradition and nostalgia in shaping our understanding of spiritual and historical figures.

In conclusion, C. Myers' quote provides a compelling reflection on the portrayal of saints and its relationship to the past, particularly the Dark Ages. It challenges us to reevaluate the traditional depictions of saints and consider how they align with contemporary perspectives and values. The quote serves as a poignant reminder of the dynamic nature of cultural and religious representations and encourages us to engage in critical reflection on the evolving significance of saints in our modern world.