Meaning: This quote by Trevor Nunn provides insight into his early career as a theater director and the creative challenges he faced. Nunn is a prominent figure in the world of British theater, known for his work with the Royal Shakespeare Company and the Royal National Theatre. The quote specifically refers to his time at the Royal Shakespeare Company (RSC) in Stratford-upon-Avon, where he was commissioned to work on a musical based on the General Strike, a significant historical event in England.

The General Strike of 1926 was a key moment in British labor history, characterized by a widespread stoppage of work by millions of workers in various industries. It was a response to wage reductions and deteriorating working conditions, and it had a profound impact on the country at the time. Nunn's task of creating a musical based on this historical event would have presented a unique set of challenges, particularly in terms of transforming documentary material into a compelling and engaging theatrical production.

Nunn's mention of "trying to make a musical out of the documentary material" highlights the complexities involved in adapting real-life events into a musical format. Unlike fictional stories, historical events come with a level of authenticity and responsibility to accurately represent the people and circumstances involved. Nunn's approach to this project likely involved extensive research, collaboration with writers and composers, and a deep understanding of the social and political context of the General Strike.

The quote also underscores the significance of the General Strike as "the next big historical event in England, after the First World War." This positioning of the strike as a pivotal moment in English history speaks to its lasting impact and relevance. The aftermath of World War I and the subsequent social and economic challenges set the stage for the General Strike, making it a crucial chapter in the country's narrative.

Nunn's role as a director in this context would have encompassed not only the creative aspects of staging a musical but also the responsibility of honoring the historical significance of the General Strike. This likely involved working closely with historians, labor experts, and other consultants to ensure the production's authenticity and relevance.

Overall, Trevor Nunn's quote sheds light on the intersection of history, theater, and creativity. It offers a glimpse into the intricate process of bringing real-world events to the stage and the artistic endeavor of breathing life into historical narratives through the medium of musical theater. Nunn's early experience at the RSC laid the foundation for his illustrious career, marked by a commitment to storytelling that resonates with audiences and engages with the complexities of human experience.

In conclusion, Nunn's endeavor to create a musical out of the documentary material about the General Strike reflects the enduring appeal of historical storytelling and the challenges inherent in translating real events into the realm of musical theater. His words invite us to consider the power of theater as a vehicle for exploring history, social issues, and the human spirit, while also acknowledging the formidable task of balancing artistic expression with historical authenticity.