I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.

Profession: Author

Topics: Work, Nature, Fantasy,

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Meaning: The quote by Manuel Puig, an Argentine author, reflects his view on storytelling in the context of film. Puig is known for his unique narrative style and the exploration of complex themes such as identity, desire, and societal norms. In this quote, he expresses his preference for working on stories that are not grounded in realism, suggesting that he finds greater creative freedom and potential in allegorical or fantastical narratives.

Puig's statement can be viewed in the context of his own literary works, many of which feature elements of fantasy and allegory. His most famous novel, "Kiss of the Spider Woman," is a prime example of this, as it intertwines the stories of two cellmates in an Argentine prison with elements of fantasy and allegory. The novel delves into themes of love, politics, and identity through a symbolic and imaginative lens, showcasing Puig's penchant for storytelling that transcends traditional realism.

When Puig mentions that he can work in films as long as the story doesn't have a realistic nature, he is likely alluding to the potential for creative expression and experimentation in the medium of film. Realistic stories often adhere to the conventions of everyday life, presenting characters and events that mirror the world as we know it. In contrast, allegorical and fantastical narratives allow for a departure from such constraints, enabling storytellers to explore themes and ideas in unconventional and thought-provoking ways.

In the realm of film, Puig's preference for allegory and fantasy aligns with the work of filmmakers who have embraced imaginative storytelling and visual storytelling techniques. Directors like Guillermo del Toro and Terry Gilliam, for instance, have created worlds and narratives that blur the lines between reality and fantasy, using the medium of film to convey deeper truths and emotions through metaphor and symbolism.

Furthermore, Puig's emphasis on developing stories in synthetic terms speaks to his interest in the construction of narratives that are not bound by strict adherence to reality. By employing synthetic terms, Puig may be referring to the use of metaphor, symbolism, and visual stylization to convey meaning and evoke emotional responses in the audience. This approach to storytelling can be particularly effective in the realm of film, where the visual and auditory elements can amplify the impact of allegorical and fantastical narratives.

In summary, Manuel Puig's quote offers insight into his creative preferences and the type of storytelling that resonates with him. His affinity for allegory and fantasy in storytelling reflects a desire to transcend the constraints of realism and explore the depths of human experience through imaginative and synthetic means. This perspective sheds light on the potential for storytelling in film to transcend traditional boundaries and engage audiences on a deeper, more evocative level.

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