I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.

Profession: Author

Topics: Constitution, Film, Nothing, Realism, Reality,

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Meaning: Manuel Puig, the Argentine author best known for his novels "The Buenos Aires Affair" and "Kiss of the Spider Woman," was an influential figure in Latin American literature during the 20th century. The quote you provided, "I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution," offers insight into Puig's perspective on the relationship between realism and fiction in literary and cinematic works.

Puig's assertion that "realism is nothing but an analysis of reality" reflects his understanding of the role of realism in art. Realism, as a literary and artistic movement, seeks to portray everyday life and society as it is, without idealization or embellishment. Puig's view suggests that realism serves as a tool for examining and interpreting the complexities of the real world. In this sense, realism becomes a means of dissecting and understanding the nuances of human existence, societal structures, and the human condition.

Furthermore, Puig's statement about film scripts having a "synthetical constitution" points to his belief in the synthetic nature of cinematic storytelling. The term "synthetical" suggests a process of combining or synthesizing various elements to create a cohesive whole. In the context of film scripts, this may refer to the integration of dialogue, visuals, sound, and narrative structure to construct a unified cinematic experience. Puig's emphasis on the synthetic nature of film scripts underscores his recognition of the collaborative and multidimensional aspects of filmmaking, where diverse elements come together to form a complete and immersive narrative.

In the broader context of Puig's literary and cinematic oeuvre, this quote sheds light on his approach to storytelling and narrative construction. Puig was known for his innovative narrative techniques, including the use of multiple perspectives, non-linear storytelling, and the incorporation of popular culture references. His novels often feature complex and fragmented narratives that reflect the diverse influences and experiences of the characters, as well as the social and cultural landscapes in which they exist.

Puig's exploration of realism and synthetic storytelling in both literature and film aligns with his commitment to portraying the intricacies of human experience while embracing the diverse forms and mediums of artistic expression. His works often blur the boundaries between reality and fiction, inviting readers and audiences to engage with the constructed nature of narrative and the ways in which storytelling shapes our understanding of the world.

In conclusion, Manuel Puig's quote encapsulates his perspective on the relationship between realism, narrative analysis, and the synthetic nature of film scripts. Through his insightful reflection on the role of realism in art and the synthetic constitution of film scripts, Puig offers valuable insights into the complexities of storytelling and the ways in which artists engage with and interpret reality through their creative works.

Puig's exploration of these themes in his novels and his broader contributions to literature and cinema continue to resonate with audiences and scholars, highlighting the enduring relevance of his ideas and artistic vision.

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