I started off with the really funky stuff like Ramsey Lewis, Milt Jackson, Kenny Burrell.

Profession: Musician

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Meaning: The quote, "I started off with the really funky stuff like Ramsey Lewis, Milt Jackson, Kenny Burrell," by Robert Quine, a musician, provides insight into the early musical influences that shaped his artistic journey. The mention of Ramsey Lewis, Milt Jackson, and Kenny Burrell highlights the significance of jazz and funk in Quine's musical development.

Ramsey Lewis, a renowned American jazz pianist and composer, is known for his soulful and groove-oriented style. His work often incorporates elements of funk, blues, and gospel, creating a sound that resonates with diverse audiences. Lewis gained prominence in the 1960s with hits like "The In Crowd" and "Wade in the Water," which showcased his ability to infuse jazz with infectious rhythms and melodic hooks.

Milt Jackson, a legendary vibraphonist and one of the founding members of the Modern Jazz Quartet, contributed significantly to the evolution of jazz music. His innovative approach to the vibraphone and his collaborations with luminaries such as John Coltrane and Ray Charles solidified his status as a pioneering figure in the world of jazz. Jackson's seamless blend of bebop, blues, and swing elements exemplifies the depth and versatility of his musical expression.

Kenny Burrell, an esteemed guitarist and composer, has left an indelible mark on the jazz and blues genres. With a career spanning over six decades, Burrell's contributions to the art of improvisation and his distinctive phrasing have earned him widespread acclaim. His ability to navigate between traditional blues sensibilities and sophisticated jazz harmonies has made him a revered figure among musicians and aficionados alike.

Quine's reference to these influential artists suggests a deep appreciation for the fusion of jazz and funk, two genres that have exerted a profound influence on the landscape of popular music. The "funky stuff" that Quine alludes to encompasses the rhythmic vitality and expressive freedom found in the works of Lewis, Jackson, and Burrell. Their collective impact on Quine's musical palate likely informed his own approach to composition, improvisation, and sonic exploration.

Furthermore, the quote underscores the interconnectedness of musical styles and the fluidity of artistic boundaries. Jazz, with its capacity for innovation and improvisation, has long been a wellspring of inspiration for musicians across genres. The infusion of funk elements into the jazz idiom, as exemplified by the artists mentioned, speaks to the dynamic nature of musical evolution.

Quine's acknowledgment of these foundational influences serves as a testament to the enduring legacy of jazz and funk in shaping the artistic vernacular of countless musicians. By drawing from the rich tapestry of jazz and funk traditions, Quine and other artists have perpetuated a lineage of creativity and ingenuity that continues to captivate audiences and resonate across generations.

In conclusion, Robert Quine's reflection on his musical origins encapsulates the profound impact of jazz and funk luminaries such as Ramsey Lewis, Milt Jackson, and Kenny Burrell. Their contributions have not only enriched the sonic landscape of their respective genres but have also left an indelible imprint on the artistic sensibilities of musicians like Quine. The enduring legacy of these influential figures underscores the enduring relevance of jazz and funk as catalysts for innovation and inspiration in the realm of music.

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