There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain.

Profession: Artist

Topics: Language, Pain, Painting, Struggle,

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Meaning: The quote by Robert Rauschenberg, a renowned American artist, reflects his perspective on the language and attitudes often associated with the process of creating art, particularly in the context of painting. Rauschenberg's statement suggests that he struggled to align himself with the conventional notions of "tortured," "struggle," and "pain" as essential elements in the creation of art, specifically painting. This perspective sheds light on Rauschenberg's unique approach to art-making and challenges the traditional romanticized view of the artist as a tormented soul.

Robert Rauschenberg was a prominent figure in the 20th-century art world, known for his innovative approaches to painting, sculpture, and assemblage. Born in 1925, he emerged as a key figure in the post-war American art scene, contributing significantly to movements such as Abstract Expressionism, Neo-Dada, and Pop Art. Rauschenberg's work often defied categorization, as he incorporated found objects, unconventional materials, and non-traditional techniques into his artistic practice.

In the quote, Rauschenberg's rejection of the attitudes of "tortured," "struggle," and "pain" in relation to painting can be viewed within the broader context of his artistic philosophy. Rather than embracing the romanticized image of the suffering artist, Rauschenberg sought to approach art-making with a sense of experimentation, playfulness, and openness to the unexpected. His rejection of these traditional attitudes reflects a departure from the prevailing artistic temperament of his time and signals his commitment to forging a new path in the realm of visual expression.

Rauschenberg's artistic career was marked by a spirit of collaboration and an interdisciplinary approach to creation. He famously worked with choreographer Merce Cunningham and composer John Cage, blurring the boundaries between visual art, dance, and music. This collaborative ethos further emphasizes Rauschenberg's departure from the solitary, tormented artist archetype, as he embraced interaction, exchange, and dialogue as integral components of his practice.

Furthermore, Rauschenberg's rejection of the language of "tortured," "struggle," and "pain" may be interpreted as a rejection of the notion that great art must arise from personal anguish or torment. Instead, he embraced a more expansive view of creativity, one that encompassed joy, curiosity, and the sheer pleasure of experimentation. This perspective aligns with Rauschenberg's commitment to democratizing art and challenging the elitist attitudes prevalent in the art world.

In summary, Robert Rauschenberg's quote encapsulates his non-conformist approach to art-making and his rejection of the traditional attitudes associated with the process of painting. His perspective challenges the romanticized image of the tormented artist and underscores his commitment to embracing a more inclusive, collaborative, and joyful approach to creativity. Rauschenberg's legacy continues to inspire contemporary artists to question established norms, experiment boldly, and redefine the language of art-making.

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