Meaning: The quote by Robert Rauschenberg expresses his excitement for the physical aspects of painting during his time as an artist. Rauschenberg was known for his innovative approach to art, incorporating unconventional materials and techniques into his work. This quote reflects his enthusiasm for the freedom and possibilities that existed within the realm of painting during his era.

Rauschenberg's reference to "all these physical aspects of painting" suggests his fascination with the tangible and material elements of the artistic process. During the mid-20th century, the art world was undergoing significant shifts, with artists breaking away from traditional conventions and exploring new ways of creating and experiencing art. Rauschenberg's own practice exemplified this spirit of experimentation, as he sought to challenge the boundaries of traditional artistic media and techniques.

The mention of creating a picture "in just black and white" speaks to Rauschenberg's interest in the expressive potential of limited color palettes. This reflects a broader trend in modern art, where artists explored the power of simplicity and minimalism in their work. Rauschenberg's willingness to embrace such constraints demonstrates his belief in the idea that limitations can serve as sources of creative inspiration and liberation.

The phrase "whether you're soliciting permission or not, do give you permission" captures Rauschenberg's attitude towards artistic freedom and autonomy. It suggests that the act of creation itself grants permission and authority, regardless of external validation or approval. This perspective aligns with the ethos of many avant-garde artists of Rauschenberg's time, who sought to dismantle traditional hierarchies and gatekeepers within the art world.

In considering Rauschenberg's quote, it is important to situate it within the broader context of his career and the artistic climate of the mid-20th century. Rauschenberg was a central figure in the development of Neo-Dada and Pop art, movements that embraced everyday objects, mass media, and a spirit of cultural critique. His work often blurred the boundaries between painting, sculpture, and performance, reflecting a multidisciplinary and boundary-pushing approach to art-making.

Rauschenberg's collaborations with other artists and his use of found materials further underscore his commitment to expanding the possibilities of artistic expression. His innovative techniques, such as his "combines" – works that incorporated both painting and found objects – challenged traditional notions of what constituted a painting and expanded the potential of artistic mediums.

Overall, Rauschenberg's quote encapsulates his embrace of experimentation, his interest in the materiality of art, and his belief in the inherent authority of the act of creation. It reflects the ethos of a transformative period in art history and offers insight into the mindset of an artist who continually sought to push the boundaries of what art could be.