Meaning: Satyajit Ray, one of the most influential filmmakers in the history of Indian cinema, made this statement about the audience for his films. The quote reflects Ray's awareness of the geographical and social boundaries within which his films were predominantly viewed. It also sheds light on the specific demographic that formed the core audience for his work.

Born in Kolkata, India, in 1921, Satyajit Ray is widely regarded as a master of world cinema and one of the greatest film directors of the 20th century. His films are celebrated for their artistic depth, humanism, and exploration of the complexities of Indian society. Ray's directorial debut, "Pather Panchali" (1955), marked the beginning of his acclaimed Apu Trilogy, which garnered international recognition and established him as a leading figure in the world of cinema.

In the quote, Ray acknowledges that his films primarily found an audience in Bengal, the region where he was based and where the cultural and linguistic elements depicted in his work resonated most strongly. This acknowledgment reflects the deep connection between Ray's storytelling and the cultural milieu of Bengal. His films often delved into the lives of ordinary people, portraying their struggles, aspirations, and the social fabric of Bengal with a remarkable authenticity.

Furthermore, Ray mentions that his audience primarily comprised the educated middle class in both urban centers and small towns. This indicates that his films appealed to a demographic with a certain level of education and cultural awareness. The themes and narratives explored in Ray's films often required a nuanced understanding of human emotions, societal dynamics, and historical context, which could be more readily appreciated by an educated audience.

The reference to the cities of Bombay, Madras, and Delhi highlights the geographical reach of Ray's films beyond Bengal. These cities, being major cultural and economic hubs in India, attracted a significant Bengali population. Ray's films found an audience among these communities, connecting with their shared cultural heritage and language. This demonstrates the ability of Ray's storytelling to transcend regional boundaries and resonate with audiences across different parts of India.

It is important to note that Ray's films also gained international acclaim and were widely screened at film festivals and art-house cinemas around the world. His ability to capture universal human experiences and emotions in a distinctly Indian context contributed to the global appeal of his work. Ray's films were not only appreciated for their cultural specificity but also for their universal themes of humanism, resilience, and the human condition.

In conclusion, Satyajit Ray's quote reflects his awareness of the specific audience for his films, primarily in Bengal and among the educated middle class in urban and rural areas. His acknowledgment of the Bengali population in major Indian cities further emphasizes the cultural resonance of his work. Ray's films continue to be celebrated for their ability to capture the essence of Indian society while transcending geographical and cultural boundaries, earning him a revered place in the annals of world cinema.