Meaning: This quote by Ad Reinhardt, an American abstract painter, reflects on the relationship between artists, institutions, and the commercial aspects of the art world. Reinhardt was known for his minimalist and monochromatic paintings and his critical views on the commercialization of art. In this quote, he touches upon the increasing association of artists with schools and museums and the limited number of artists who are able to make a living solely from selling their paintings.

The first part of the quote, "Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are," suggests that artists are increasingly tied to educational institutions. This could be interpreted in several ways. On one hand, it might reflect the growing influence of academic or institutional training on artists, as many artists today receive formal education and training in art schools or university programs. This trend could potentially impact the style, techniques, and perspectives of contemporary artists, as they are influenced by the academic environment and the teachings of established art institutions.

On the other hand, Reinhardt's observation may also hint at the institutionalization of the art world, where artists are closely linked to museums and schools, possibly for exhibition opportunities, residencies, or educational partnerships. This alignment with institutions may provide artists with resources, exposure, and support, but it also raises questions about the potential impact on artistic independence and creativity when artists are closely associated with institutional agendas and expectations.

The second part of the quote, "That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that," addresses the financial realities of the art world. Reinhardt highlights the stark contrast between the large number of artists connected to schools and museums and the limited few who are able to sustain themselves solely through the sale of their artwork. This observation sheds light on the challenges that artists face in making a living from their creative practice, particularly in a market-driven art world where only a select few achieve commercial success.

Reinhardt's emphasis on the rarity of artists who can make a living from selling paintings brings attention to the economic disparities within the art world. It raises important questions about the value systems, market forces, and institutional structures that shape the livelihoods of artists. Additionally, it underscores the precarious financial reality for many artists, who often rely on alternative sources of income, such as teaching, freelance work, or non-art-related jobs to sustain their artistic practices.

In conclusion, Ad Reinhardt's quote offers a thought-provoking commentary on the evolving relationships between artists, institutions, and the commercial aspects of the art world. It prompts reflection on the influence of academic and institutional ties on artistic practices and the economic challenges that many artists face. This quote serves as a reminder of the complex dynamics at play within the art world and the ongoing discussions surrounding artistic integrity, financial sustainability, and the role of institutions in shaping the contemporary art landscape.