It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else.

Profession: Comedian

Topics: Movies,

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Meaning: This quote by Paul Reiser, a well-known comedian, offers insight into the unique storytelling approach of certain movies. Reiser's observation highlights the focused and immersive nature of the narrative, emphasizing that the audience is solely following the experiences of a specific group of characters without any cuts to other storylines or perspectives. This approach creates an intense and unbroken connection between the audience and the characters, allowing for a more concentrated and in-depth exploration of their journey.

In the context of filmmaking, the quote suggests that some movies adopt a narrative style that is distinct from the typical multi-threaded storytelling often found in films. Instead of weaving together various plotlines and characters, these movies maintain a singular focus on a specific group of individuals or a central storyline without diverting attention to other subplots or characters. This singular focus allows for a deep dive into the lives, emotions, and challenges faced by the characters, creating a more intimate and immersive viewing experience for the audience.

Reiser's observation also sheds light on the storytelling choices made by filmmakers and the impact those choices have on the audience's engagement. By eliminating the option to cut to different storylines, these movies compel the audience to remain fully engaged with the characters and their journey without any breaks or diversions. This can create a sense of urgency and intimacy, as the audience becomes fully invested in the unfolding events, emotions, and conflicts experienced by the characters on screen.

One notable example of a film that aligns with Reiser's description is "The Revenant," directed by Alejandro González Iñárritu. The movie follows the harrowing survival journey of the protagonist, Hugh Glass, played by Leonardo DiCaprio, in the harsh and unforgiving wilderness. Throughout the film, the audience remains entirely focused on Glass's relentless struggle for survival, with no shifts to other storylines or characters. This unbroken focus intensifies the audience's connection to the protagonist, immersing them in his physical and emotional turmoil as he navigates the brutal landscape and confronts formidable challenges.

Another example is the critically acclaimed film "1917," directed by Sam Mendes. The movie unfolds in real-time, following two young soldiers as they undertake a perilous mission to deliver a crucial message during World War I. The storytelling approach in "1917" aligns with Reiser's description, as the audience remains exclusively tethered to the experiences of the two central characters throughout their treacherous journey. The absence of cuts to other storylines or perspectives intensifies the audience's experience, creating a sense of immediacy and emotional investment in the characters' high-stakes mission.

In conclusion, Paul Reiser's quote offers a valuable perspective on a specific narrative approach employed by some movies, wherein the storytelling remains tightly focused on a singular group of characters or a central storyline without cutting away to other plotlines. This approach creates an intense and immersive viewing experience, allowing the audience to intimately connect with the characters and their journey without any narrative diversions. By eliminating the option to cut to different stories, these films foster a deep and unbroken engagement with the central narrative, heightening the emotional impact and connection between the audience and the characters.

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