Meaning:
Bridget Riley, a renowned British artist, offers an insightful perspective on the nature of an artist's early work in this quote. She suggests that the initial creations of an artist are often a blend of various inclinations and curiosities, some of which harmonize with one another, while others may clash. This notion sheds light on the developmental phase of an artist's career and the complex interplay of influences that shape their early works.
In the context of this quote, the term "tendencies" can be understood as the inclinations, habits, and preferences that drive an artist's creative process. These tendencies may encompass a wide range of factors, including personal experiences, artistic influences, cultural background, and individual aesthetic sensibilities. The early work of an artist often reflects a diverse array of these tendencies, as they navigate the exploration of different styles, techniques, and subject matters.
Riley's mention of "interests" highlights the multifaceted nature of an artist's early creative endeavors. These interests may stem from a variety of sources, such as art history, social and political themes, philosophical concepts, or personal observations. As artists delve into their chosen medium, they may find themselves drawn to a rich tapestry of interests that inform and enrich their early work.
The notion of compatibility and conflict within an artist's early work speaks to the dynamic tension that exists in the creative process. Some of the tendencies and interests that manifest in an artist's early work may complement each other, creating a sense of cohesion and harmony. On the other hand, there may also be instances where conflicting elements emerge, resulting in a juxtaposition of styles, themes, or visual language.
This quote underscores the idea that the early stages of an artist's career are marked by a process of discovery and experimentation. As artists grapple with the multitude of influences and impulses that inform their work, they may encounter moments of convergence and divergence, leading to a rich and diverse body of early creations. These formative works serve as a foundation for the artist's artistic development, laying the groundwork for the evolution of their style and thematic preoccupations.
In the context of Bridget Riley's own artistic trajectory, this quote offers a glimpse into the complexities of her early work. Known for her pioneering contributions to Op art, Riley's early explorations involved a deep engagement with color, form, and perception. Her artistic journey reflects the interplay of various tendencies and interests, as she navigated the terrain of abstraction and optical illusion in her quest to create visually compelling and intellectually engaging art.
Overall, Bridget Riley's quote encapsulates the intricate and dynamic nature of an artist's early creative output. It illuminates the process of self-discovery, artistic exploration, and the interweaving of diverse influences that shape the formative years of an artist's practice. By acknowledging the interplay of compatibility and conflict within early works, Riley provides valuable insight into the complex tapestry of artistic expression and the evolving identity of the artist.