Meaning: The quote you provided is a reflection on the work of George Pal, a Hungarian-American animator, film director, and producer known for his pioneering work in the science fiction genre. Ann Robinson, an actress who worked with Pal, describes how he consistently incorporated religious themes and undertones into his films, with a particular emphasis on the presence of God and divine protection.

George Pal's career in film spanned several decades, during which he produced and directed a number of notable works, including "Destination Moon" (1950), "The War of the Worlds" (1953), and "The Time Machine" (1960). Throughout his filmography, Pal's fascination with the intersection of science, technology, and spirituality is evident, with many of his movies exploring themes related to human existence, morality, and the nature of the universe.

Ann Robinson's observation about Pal's tendency to begin and end his projects with references to the Bible highlights the filmmaker's personal and creative connection to religious symbolism and storytelling. By infusing his films with religious undertones, Pal sought to imbue his work with a sense of moral depth and existential contemplation, using the language of faith and spirituality to convey larger themes about humanity's place in the cosmos.

In "The War of the Worlds," for example, the film's narrative unfolds as mankind faces an existential threat from technologically advanced alien invaders. Amidst the chaos and destruction, Pal weaves in moments of introspection and resilience that hint at the possibility of divine intervention and the resilience of the human spirit. This juxtaposition of scientific advancement and the presence of a higher power underscores Pal's interest in exploring the interplay between the material and the metaphysical.

Similarly, "The Time Machine" delves into themes of time travel and the evolution of human civilization, ultimately raising questions about the nature of fate, free will, and the passage of time. Pal's incorporation of religious undertones serves to deepen the philosophical and ethical dimensions of the narrative, prompting viewers to contemplate the moral implications of humanity's progress and the enduring mysteries of existence.

In essence, George Pal's approach to filmmaking reflects a desire to engage with timeless philosophical and spiritual inquiries through the medium of science fiction. By infusing his work with references to the Bible and a pervasive sense of divine presence, Pal invites audiences to consider the profound questions that have captivated human consciousness across cultures and centuries.

Pal's use of religious symbolism and themes also aligns with a broader tradition within the science fiction genre, where creators often use speculative storytelling as a means to explore existential quandaries and moral dilemmas. By drawing on religious motifs and concepts, Pal enriches his films with layers of meaning that resonate on both intellectual and emotional levels, inviting viewers to ponder the transcendent aspects of the human experience.

In conclusion, Ann Robinson's reflection on George Pal's incorporation of religious undertones in his films offers insight into the filmmaker's thematic and artistic sensibilities. Through his imaginative storytelling and visual storytelling, Pal sought to evoke a sense of wonder, contemplation, and spiritual resonance, inviting audiences to embark on thought-provoking journeys that intersect the realms of science, faith, and human destiny.