Meaning: Esa-Pekka Salonen, a renowned Finnish conductor and composer, made this thought-provoking statement about the impact of working with György Ligeti, a prominent Hungarian composer known for his avant-garde and innovative approach to music, on his perception of the classical masters Brahms and Beethoven. This quote not only sheds light on Salonen's personal experience as a musician but also delves into the transformative power of collaboration and exposure to diverse musical styles.

Salonen's collaboration with Ligeti likely took place during his tenure as the principal conductor and artistic advisor of the Philharmonia Orchestra in London, a position he held from 2008 to 2021. Ligeti's compositions are characterized by their complex rhythms, dissonant harmonies, and unconventional use of instrumentation, which stand in stark contrast to the more traditional and structured works of Brahms and Beethoven.

Upon delving into Ligeti's avant-garde compositions, Salonen's musical sensibilities were undoubtedly challenged and expanded. The experience of grappling with Ligeti's pioneering musical language would have likely influenced Salonen's perception of the classical repertoire, prompting him to revisit the works of Brahms and Beethoven with a fresh perspective.

In Salonen's statement, the phrase "hear Brahms and Beethoven differently" suggests a fundamental shift in his understanding and interpretation of these classical composers' works. This transformation might encompass a heightened awareness of the nuances within their compositions, a reevaluation of their harmonic and structural elements, and a deeper appreciation for the historical and cultural context in which these masterpieces were created.

Moreover, Salonen's remark hints at the interconnectedness of musical genres and the potential for cross-pollination of ideas and influences across different musical traditions. His experience with Ligeti serves as a testament to the dynamic nature of musical interpretation and the continuous evolution of artistic expression.

This quote also invites reflection on the concept of musical evolution and the ongoing dialogue between tradition and innovation in the world of classical music. By acknowledging the impact of Ligeti's avant-garde compositions on his perception of Brahms and Beethoven, Salonen highlights the fluidity of artistic boundaries and the potential for creative cross-fertilization between seemingly disparate musical styles.

Furthermore, this statement underscores the significance of interdisciplinary collaboration and the role of mentorship in shaping the artistic development of musicians. Salonen's encounter with Ligeti likely fostered a deep sense of curiosity and openness to experimentation, allowing him to embrace a broader spectrum of musical influences in his own creative endeavors.

In conclusion, Esa-Pekka Salonen's reflection on the transformative influence of working with Ligeti serves as a powerful reminder of the interconnectedness of musical traditions and the profound impact of cross-cultural exchange on artistic perception. By sharing his experience of hearing Brahms and Beethoven differently after engaging with Ligeti's avant-garde compositions, Salonen illuminates the dynamic nature of musical interpretation and the enduring relevance of diverse musical influences in shaping the artistic landscape.