Meaning: This quote by Eric San, also known as DJ Kid Koala, provides insight into the evolution of turntablism and DJ culture. In this quote, San reflects on the changing dynamics within the turntablist community as new generations of DJs began to emerge. The phrase "getting on the cut" refers to the act of learning and mastering the art of scratching and manipulating vinyl records on a turntable. San's observation that the younger generation would invite him to "hang out or go jam and scratch" suggests a desire for connection and collaboration, yet he notes that they were "always separate from each other."

This quote speaks to the shifting social dynamics within the turntablist community as it evolves over time. It highlights the intergenerational relationships and the changes in how individuals engage with and learn from one another within the DJ and turntablist subculture. To fully appreciate the significance of this quote, it is essential to understand the historical and cultural context of turntablism and DJing.

Turntablism is a musical and performance art form that emerged from the hip-hop movement in the 1970s. DJs, using turntables and vinyl records, developed innovative techniques such as scratching, beat juggling, and needle drops to create rhythmic patterns and textures. Turntablism elevated the DJ from a behind-the-scenes figure to a prominent performer and artist in their own right. As the art form evolved, turntablists formed a tight-knit community, sharing knowledge, skills, and techniques through mentorship and collaboration.

Eric San, as DJ Kid Koala, is a respected figure in the turntablist community. He has contributed to the advancement of turntablism as an art form and has been influential in shaping its cultural significance. His observation about the younger generation reaching out to him reflects the tradition of mentorship and knowledge sharing within the turntablist community. However, the notion that they were "always separate from each other" suggests a departure from the collaborative ethos that historically defined turntablism.

The quote indicates a shift in the dynamics of interaction and collaboration within the turntablist community. It raises questions about the evolving nature of mentorship, knowledge transmission, and social connections among DJs and turntablists. The emergence of new technologies, digital platforms, and changing musical trends may have influenced the ways in which DJs and turntablists engage with each other and pass on their skills and knowledge.

Furthermore, the quote alludes to the potential challenges and opportunities presented by generational shifts within the turntablist community. While the younger generation's desire to connect with San signifies a continued interest in learning from seasoned turntablists, the observation that they were "always separate from each other" suggests a need to reevaluate how mentorship and collaboration are fostered within the community.

In conclusion, Eric San's quote offers valuable insights into the evolving dynamics of the turntablist community, highlighting the interplay between generational shifts, mentorship, and collaboration. It prompts a deeper exploration of how DJs and turntablists navigate the complexities of passing on knowledge, fostering connections, and preserving the collaborative spirit that has defined turntablism as an art form and cultural movement.