Meaning: The quote by Bruce Beresford, an Australian film director known for his work in both film and opera, highlights the unique challenges and differences between staging a performance in opera versus film. Beresford's comparison between the two art forms sheds light on the distinct considerations that must be taken into account when producing and directing for each medium.

When Beresford mentions that in opera "everyone's watching from a fixed viewpoint," he is referring to the static nature of the audience's perspective in a traditional opera performance. Unlike in film, where the camera angles and shots can vary widely to capture different perspectives and details, the audience's view in opera is typically fixed. This presents a challenge for directors and performers to effectively convey the story and emotions while being mindful of the limited visual vantage point.

The director's mention of lighting, sets, stage groupings, and music underscores the multifaceted elements that contribute to the overall impact of an opera production. Lighting plays a crucial role in setting the mood, highlighting key moments, and directing the audience's attention. Similarly, the sets and stage groupings are essential in creating the physical environment and spatial dynamics for the performers to interact within. The music, of course, is integral to opera, driving the narrative, conveying emotions, and enhancing the overall theatrical experience.

Beresford's assertion that these elements "doesn't relate too much to film" underscores the distinct nature of opera as a performative art form. While film also incorporates lighting, set design, staging, and music, the way in which these elements are utilized and their impact on the audience differ significantly from opera. In film, the director has the flexibility to manipulate and control the visual and auditory aspects through editing, camera movements, and sound design in ways that are not possible in a live opera performance.

It is worth noting that Beresford's perspective on the differences between opera and film reflects his own experiences and expertise in both realms. As a director who has worked across various mediums, he is well-positioned to offer insights into the unique challenges and creative considerations inherent in each art form.

Overall, Beresford's quote serves as a thought-provoking commentary on the nuanced differences between opera and film, shedding light on the distinct artistic and technical elements that shape the production and presentation of each medium. His words prompt a deeper appreciation for the complexities involved in staging and directing performances, whether on the operatic stage or the cinematic screen.