Meaning: Klaus Schulze, a German electronic music composer and musician, has been a prominent figure in the world of electronic music since the 1960s. The quote "Yes, sampling has changed not just my way of playing and composing" reflects Schulze's acknowledgment of the profound impact that sampling has had on his approach to music creation and performance.

Sampling in music refers to the practice of taking a portion of a sound recording and reusing it in a different piece or context. This technique has revolutionized the way musicians and composers approach the creation of music, allowing them to incorporate pre-existing sounds and melodies into their compositions. For Schulze, who has been at the forefront of electronic music innovation, sampling has undoubtedly played a pivotal role in shaping his artistic expression.

Throughout his career, Schulze has been known for his pioneering use of synthesizers and electronic instruments, pushing the boundaries of traditional music composition and performance. The introduction of sampling technology has opened up new avenues for him to explore, enabling him to manipulate and integrate a diverse array of sounds into his work. This has not only expanded the sonic palette available to Schulze but also fundamentally transformed his creative process.

By embracing sampling, Schulze has been able to weave together layers of audio fragments, creating complex and textured compositions that transcend the limitations of conventional instrumentation. This approach has allowed him to craft immersive sonic landscapes that resonate with listeners on a profound level. Schulze's music is characterized by its ethereal and otherworldly quality, and sampling has undoubtedly contributed to the realization of this unique artistic vision.

In addition to its impact on Schulze's compositional style, sampling has also influenced his approach to live performance. With the ability to trigger and manipulate sampled sounds in real-time, Schulze has been able to deliver captivating and dynamic live experiences that blur the lines between traditional musical performance and electronic manipulation. This integration of sampling technology into his live setup has allowed Schulze to push the boundaries of what is possible in a concert setting, captivating audiences with his innovative approach to sonic exploration.

Furthermore, the quote suggests that sampling has not only altered Schulze's approach to music creation and performance but has also influenced his musical philosophy. The practice of sampling challenges traditional notions of authorship and originality in music, raising questions about the nature of creativity and artistic expression in the digital age. Schulze's embrace of sampling reflects a willingness to engage with these complex and evolving issues, demonstrating a forward-thinking approach to the artistic process.

In conclusion, Klaus Schulze's quote encapsulates the profound impact that sampling has had on his musical journey. From transforming his approach to composition and performance to shaping his artistic philosophy, sampling has been a catalyst for innovation and exploration in Schulze's work. As a pioneer in electronic music, Schulze's embrace of sampling has not only contributed to the evolution of his own artistic practice but has also left an indelible mark on the broader landscape of electronic music.