Meaning: Klaus Schulze, a German electronic music composer and musician, made this statement regarding his experience creating a sound environment for a booth at the Hanover Industrial Fair in 1973. The quote provides insight into Schulze's career and his involvement in creating immersive soundscapes for public spaces, particularly in the context of a corporate event. To fully understand the significance of this quote, it is important to explore Schulze's contributions to electronic music, his role in shaping the genre, and the context of the Hanover Industrial Fair in 1973.

Klaus Schulze is a pioneering figure in the world of electronic music, known for his innovative approach to sound synthesis and electronic composition. Born in 1947, Schulze began his musical career as a drummer before transitioning to electronic music in the late 1960s. He gained prominence as a member of the influential bands Tangerine Dream and Ash Ra Tempel before launching a successful solo career. Schulze's solo works, characterized by expansive, atmospheric soundscapes and complex rhythmic structures, have had a profound impact on the development of electronic music, particularly in the realms of ambient, space music, and Berlin School electronic music.

The quote reflects Schulze's willingness to experiment with sound and music in unconventional settings, such as the booth at the Hanover Industrial Fair. The Hanover Industrial Fair, now known as Hannover Messe, is one of the world's largest trade fairs for industrial technology. In 1973, it served as a platform for showcasing cutting-edge advancements in industrial innovation and technology. Schulze's involvement in creating a sound environment for a booth at the fair speaks to the increasing integration of art and technology during this period, as well as the growing recognition of electronic music as a viable medium for enhancing public experiences.

Schulze's description of the job as "slightly good paid" highlights the economic realities of working as a musician and sound artist, even in the context of high-profile events such as the Hanover Industrial Fair. This aspect of the quote sheds light on the challenges faced by artists in the electronic music domain, where financial compensation may not always align with the level of creative input and expertise required for such projects. It also underscores the discrepancy between the public perception of an artist's financial success and the actual compensation received for their work, as evidenced by Schulze's mention of his producer's exaggerated statements to the press.

The quote offers a glimpse into the intersection of art, commerce, and technology, as well as the behind-the-scenes dynamics of creative work within corporate settings. Schulze's experience at the Hanover Industrial Fair exemplifies the multifaceted nature of electronic music, which extends beyond traditional concert venues and recording studios to encompass a diverse range of environments and contexts. Moreover, it provides valuable insight into the challenges and opportunities that electronic musicians encounter when engaging with corporate entities and public events, shedding light on the complexities of navigating the intersection of artistic expression and commercial endeavors.

In conclusion, Klaus Schulze's quote about his experience creating a sound environment at a booth of a major electronic company during the Hanover Industrial Fair in 1973 offers a compelling perspective on the evolving role of electronic music within the realms of technology, commerce, and public engagement. It provides valuable insight into Schulze's career, the significance of the Hanover Industrial Fair, and the economic realities faced by artists working in the electronic music domain. Schulze's willingness to undertake such projects underscores the experimental and interdisciplinary nature of electronic music, as well as the diverse opportunities for creative expression within corporate and public settings. Overall, the quote serves as a testament to Schulze's innovative spirit and his enduring impact on the landscape of electronic music.