Meaning: This quote by John Sebastian, a renowned American musician and songwriter, touches on the idea that for musicians, especially those who are emerging or relatively unknown, it is often necessary to be present in major musical centers in order to establish themselves as viable and saleable artists. The quote implies that being based in a prominent music hub can be advantageous for a musician's career, as it offers opportunities for exposure, networking, and access to industry resources.

Historically, music centers such as New York City, Los Angeles, Nashville, and London have been recognized as crucial hubs for the music industry, providing platforms for artists to showcase their talents, connect with industry professionals, and gain visibility in the music market. These cities are not only cultural melting pots but also home to numerous record labels, music venues, recording studios, and media outlets, making them attractive destinations for aspiring musicians seeking to make a name for themselves.

In the context of the quote, the term "particularly on the come" suggests that emerging musicians, who are still in the process of establishing themselves, face a unique set of challenges and considerations as they navigate the music industry. For many up-and-coming artists, the decision of where to base themselves can significantly impact their trajectory in the music business. While the rise of digital platforms and social media has expanded avenues for self-promotion and independent distribution, the physical presence of a musician in a music center can offer distinct advantages in terms of industry exposure and opportunities for collaboration.

John Sebastian's assertion that being in a musical center is essential for musicians to be "viable, saleable and so on" reflects the reality of the music industry's infrastructure. Major music centers often serve as launchpads for artists, providing them with a platform to showcase their work to industry professionals, fans, and potential collaborators. The concentration of music-related activities in these cities creates an environment conducive to artistic growth and commercial success, making them desirable locations for musicians aiming to advance their careers.

Moreover, the quote touches upon the commercial aspect of being a musician. In today's music industry, visibility and marketability are crucial factors in an artist's success. By being present in a music center, musicians can tap into the local music scene, gain exposure through live performances, and build relationships with industry insiders. Additionally, proximity to major labels, music publishers, and other key players in the business can enhance an artist's chances of securing lucrative opportunities, such as record deals, licensing agreements, and promotional partnerships.

It's important to note that while the quote emphasizes the significance of being based in a musical center, the definition of a "musical center" has evolved with the changing dynamics of the music industry. In addition to traditional music hubs, emerging centers in cities like Atlanta, Austin, and Berlin have garnered attention for their vibrant music scenes and innovative contributions to the global music landscape. Furthermore, the rise of digital technology has enabled artists to create and distribute music from virtually anywhere, challenging the notion that physical location is the sole determinant of a musician's success.

In conclusion, John Sebastian's quote encapsulates the notion that for many musicians, especially those on the rise, being present in a musical center can be pivotal in shaping their careers. The opportunities for exposure, collaboration, and industry connections that these hubs offer can significantly impact an artist's trajectory in the music business. While the dynamics of the industry continue to evolve, the role of music centers in providing a launching pad for musicians remains a relevant and compelling aspect of the modern music landscape.