Meaning: This quote by Andrés Segovia, a renowned Spanish classical guitarist, raises an interesting point about the incorporation of electric instruments in traditional music. Segovia, as a classical musician, was known for his dedication to preserving and promoting the purity of classical guitar music. His skepticism about electric violins, cellos, and singers reflects a larger debate within the music world about the role of technology and innovation in traditional art forms.

The emergence of electric instruments in the 20th century marked a significant shift in the world of music. Electric violins, cellos, and other string instruments were developed to produce amplified sounds, giving performers the ability to reach larger audiences and compete with louder instruments in contemporary music genres. Similarly, the concept of an "electric singer" alludes to the use of microphones and sound systems to enhance vocal performances.

Segovia's skepticism about these innovations stems from a desire to maintain the integrity and authenticity of classical music. For him, the use of electric instruments and technology in music could potentially compromise the traditional sound and emotional depth that he valued in classical compositions. He believed that the natural resonance and timbre of acoustic instruments were essential elements of the classical music experience, and that electric instruments might detract from this authenticity.

It's important to recognize that Segovia's perspective reflects a specific historical and cultural context. In the mid-20th century, the classical music world was grappling with the impact of modernity and technological advancements. Traditionalists like Segovia were concerned about the potential dilution of classical music's core values in the face of these changes.

However, it's worth noting that the incorporation of electric instruments in classical music has also opened up new creative possibilities for composers and performers. Electric string instruments, for example, have been used to explore avant-garde and experimental sounds, expanding the sonic palette of classical music. Additionally, electric amplification has allowed classical musicians to perform in larger venues and collaborate with artists from diverse musical backgrounds.

Furthermore, the concept of an electric singer can be seen as a precursor to the use of vocal effects and electronic manipulation in contemporary popular music. Artists across genres have embraced technology to create innovative vocal sounds and performances that push the boundaries of traditional singing.

In the contemporary music landscape, the debate about electric instruments in classical music continues to evolve. While some purists may still share Segovia's reservations, many musicians and audiences have embraced the fusion of traditional and modern elements in classical performances. The use of electric instruments and technology is viewed not as a threat to tradition, but as a means of enriching classical music with new textures and expressive possibilities.

In conclusion, Andrés Segovia's quote about electric instruments in music reflects the tension between tradition and innovation in the classical music world. While his skepticism is rooted in a dedication to preserving the authenticity of classical music, the integration of electric instruments has also brought about new artistic opportunities and expanded the sonic landscape of classical performances. The ongoing dialogue between tradition and innovation continues to shape the evolution of classical music, with electric instruments playing a significant role in this process.