Meaning: This quote by George Shearing, a renowned jazz musician, reflects his personal opinion about freedom jazz. In this statement, Shearing expresses his dislike for freedom jazz, asserting that he believes it to be devoid of roots and foundation. To understand the significance of this quote, it is essential to delve into the context of jazz music, particularly the evolution of different sub-genres within the broader jazz genre.

Jazz, as a musical genre, has a rich and complex history that encompasses a wide range of styles and influences. From its roots in African American communities in the late 19th and early 20th centuries, jazz has evolved into a versatile and dynamic form of musical expression. Over the years, various sub-genres of jazz have emerged, each with its own distinct characteristics and artistic innovations.

One of the sub-genres that gained prominence in the mid-20th century is freedom jazz, also known as free jazz. This style of jazz is characterized by its avant-garde approach, emphasizing improvisation, dissonance, and unconventional rhythmic and harmonic structures. Musicians associated with free jazz often sought to break away from traditional conventions, embracing a more experimental and unrestrained form of musical expression.

George Shearing's critique of freedom jazz sheds light on the tensions and divergent perspectives within the jazz community regarding artistic innovation and tradition. Shearing's assertion that freedom jazz is "void of roots and void of foundation" suggests a concern about the perceived departure from the established roots and foundations of jazz music within the context of this particular sub-genre.

In the broader context of music criticism and artistic discourse, debates about the balance between innovation and tradition are not uncommon. Shearing's perspective can be seen as a reflection of the value placed on the historical and cultural roots of jazz music, as well as a critique of artistic movements that may appear to disregard or deconstruct those foundations.

It is important to acknowledge that musical preferences and aesthetic judgments are inherently subjective. For Shearing, his preference for jazz styles that are firmly rooted in tradition and established foundations informs his perspective on freedom jazz. This sentiment resonates with a broader dialogue within the jazz community and the music world at large, where the tension between tradition and innovation continues to shape artistic practices and critical discourse.

In conclusion, George Shearing's quote about freedom jazz encapsulates a particular viewpoint within the ongoing conversation about the evolution of jazz music. While some musicians and critics may embrace the avant-garde spirit of freedom jazz, others like Shearing express a preference for jazz styles that maintain a strong connection to the roots and foundations of the genre. Ultimately, this quote invites us to consider the diverse perspectives and values that shape the ever-evolving landscape of jazz music.