Meaning: The quote "I don't film messages. I let the post office take care of those" by Bernardo Bertolucci, a renowned Italian filmmaker and writer, offers a fascinating insight into his approach to filmmaking and storytelling. In this succinct and thought-provoking statement, Bertolucci conveys a clear distinction between the purpose of his cinematic art and the delivery of explicit messages. By examining the context of this quote and Bertolucci's body of work, we can gain a deeper understanding of his philosophy as a filmmaker and the complex nature of his storytelling.

Bernardo Bertolucci was known for his visually stunning and emotionally evocative films, many of which delved into profound themes and socio-political issues. From "The Conformist" to "Last Tango in Paris" and "The Last Emperor," Bertolucci's films often grapple with complex human emotions, societal dynamics, and existential questions. His storytelling was characterized by rich symbolism, intricate character development, and visually striking cinematography, all of which contributed to the immersive and thought-provoking nature of his work.

In the context of the quote, "I don't film messages. I let the post office take care of those," Bertolucci appears to reject the notion of overtly didactic or prescriptive filmmaking. Rather than using his films as a platform for delivering direct messages or moral lessons, he seems to emphasize the importance of allowing the audience to interpret and engage with the narratives on their own terms. This approach aligns with the idea that art, including cinema, should stimulate contemplation and dialogue, rather than imposing specific messages or agendas.

By stating that he lets the post office take care of messages, Bertolucci alludes to the traditional role of the post office in delivering written communication. In doing so, he metaphorically suggests that his role as a filmmaker is not to explicitly convey messages, but rather to create immersive and resonant experiences that prompt introspection and emotional resonance. This perspective aligns with the belief that the power of art lies in its ability to evoke emotions, provoke thoughts, and inspire individual interpretation.

Furthermore, Bertolucci's quote can be interpreted as a rejection of didacticism and a celebration of the multi-layered, enigmatic nature of storytelling. His films often employed allegory, symbolism, and ambiguity to convey deeper truths and reflections on the human condition. By eschewing overt messaging in favor of nuanced, evocative storytelling, Bertolucci embraced the capacity of cinema to transcend the limitations of explicit communication and tap into the realm of universal emotions and experiences.

In practical terms, this approach allowed Bertolucci to create films that resonated on a profound, emotional level, inviting viewers to explore their own interpretations and reactions. Rather than spoon-feeding audiences with predetermined messages or moral directives, Bertolucci's films encouraged active engagement and personal reflection. This aligns with the notion that art should invite dialogue and introspection, fostering a more profound and enduring impact on the audience.

Bertolucci's philosophy also reflects a broader artistic tradition that values the open-ended, interpretive nature of storytelling. By prioritizing the emotive and sensory impact of his films over explicit messaging, he contributed to a rich cinematic legacy that embraces the complexities and ambiguities of the human experience. This approach has resonated with audiences and critics alike, earning Bertolucci acclaim for his ability to craft immersive, emotionally potent narratives that transcend the constraints of explicit communication.

In conclusion, Bernardo Bertolucci's quote "I don't film messages. I let the post office take care of those" encapsulates his distinctive approach to filmmaking and storytelling. By rejecting the notion of delivering explicit messages through his films and instead prioritizing evocative, multi-layered storytelling, Bertolucci embraced the power of cinema to elicit emotions, provoke introspection, and stimulate individual interpretation. His philosophy underscores the profound impact of art that transcends didacticism, inviting audiences to engage with narratives on a deeper, more personal level. This approach not only characterizes Bertolucci's own cinematic legacy but also contributes to a broader appreciation of the enigmatic, transformative nature of storytelling in the realm of art and culture.