Meaning: The quote "I am perfectly happy to believe that nobody likes us but the public" by Rudolf Bing, a musician, reflects a sentiment that may be familiar to many artists and performers. Rudolf Bing was actually not a musician but an opera manager, and this quote is often attributed to him in the context of his role as the general manager of the Metropolitan Opera in New York City.

In the world of performing arts, particularly in the realm of opera, there is often a tension between the opinions of critics, the attitudes of industry professionals, and the reception of the general public. Bing's statement seems to acknowledge this tension, suggesting that the approval of the general public is the most important factor in the success and fulfillment of a performer or a performance.

When Rudolf Bing made this statement, he was likely expressing a certain level of resignation or acceptance of the fact that not everyone in the industry or the broader public may appreciate or approve of the artistic choices or decisions made by performers or managers. This sentiment could also be interpreted as a reflection of the challenges and criticisms that individuals in the performing arts often face, especially from industry insiders and critics who may have their own specific standards and expectations.

It's important to note that the "us" in Bing's quote could refer to performers, artistic productions, or even the management and administrative teams responsible for organizing and promoting performances. In any case, the sentiment expressed in this quote highlights the complex dynamics at play in the performing arts world, where the opinions and preferences of different stakeholders often diverge.

Bing's statement may also reflect a degree of skepticism or disillusionment with the attitudes and opinions of industry professionals, suggesting that the only truly meaningful validation comes from the public – the people who attend performances, buy tickets, and ultimately determine the success or failure of artistic endeavors. This perspective aligns with the idea that art and performance are meant to resonate with and connect to audiences on a fundamental level, transcending the sometimes insular and exclusive world of industry professionals and critics.

In the context of the performing arts, the relationship between artists, industry professionals, and the public is a complex and multifaceted one. Performers and artistic productions often rely on positive reviews and endorsements from industry insiders to gain recognition and support, yet ultimately, it is the public's response that determines the longevity and impact of a performance or a production.

Bing's quote may also serve as a reminder that the purpose of art and performance is to engage and resonate with audiences, to evoke emotions and provoke thoughts, and to ultimately connect with people on a deep and personal level. While the approval and recognition of industry professionals and critics may hold some significance, the true measure of success lies in the hearts and minds of the public – the people whose lives are touched and enriched by the power of music and performance.

In conclusion, Rudolf Bing's quote encapsulates the tensions and complexities inherent in the world of performing arts, highlighting the significance of the public's reception and emphasizing the fundamental purpose of art and performance in connecting with audiences. It serves as a poignant reminder that, ultimately, the public's appreciation and support are the most meaningful measures of success in the world of music and performance.