Meaning: The quote refers to the impact that Turangalila, a piece composed by Harrison Birtwistle, had on the individual expressing it. Turangalila is not actually composed by Harrison Birtwistle, but rather by Olivier Messiaen, a French composer known for his innovative and complex compositions. It is likely that there is a confusion or a mix-up in the quote about the composer of Turangalila.

Turangalila-Symphonie is one of Olivier Messiaen's most celebrated works and is renowned for its grand scale, intricate orchestration, and unique blend of Western and Eastern musical traditions. The piece was composed between 1946 and 1948 and premiered in 1949. It consists of ten movements and typically lasts around 75 to 80 minutes in performance. The title "Turangalila" is derived from two Sanskrit words, "turanga" and "lila," which can be interpreted to mean "love song and hymn of joy, time, movement, rhythm, life, and death."

The symphony is scored for a large orchestra, including a substantial percussion section, and features prominent parts for piano and ondes Martenot, an early electronic instrument. The use of the ondes Martenot gives the piece a distinct and otherworldly sound, adding to its mystical and spiritual qualities. The work is known for its rich and colorful harmonies, complex rhythmic structures, and intricate melodic lines, which showcase Messiaen's unique approach to composition and his deep interest in religious and philosophical themes.

The impact of Turangalila on individuals varies, but its profound emotional depth, spiritual resonance, and innovative musical language have made it a deeply influential work for many composers, musicians, and listeners. The symphony's exploration of themes such as love, ecstasy, and cosmic order has resonated with audiences and performers alike, contributing to its enduring popularity and significance in the repertoire of 20th-century classical music.

Harrison Birtwistle, the British composer known for his avant-garde and experimental works, may have been influenced by the groundbreaking nature of Turangalila and its exploration of new sonic territories. Birtwistle's own compositions often exhibit a sense of daring and originality, and it is possible that the grandeur and boundary-pushing qualities of Messiaen's symphony left a lasting impression on Birtwistle's artistic development.

In conclusion, the quote referencing the influence of Turangalila by Harrison Birtwistle sheds light on the far-reaching impact of Olivier Messiaen's monumental work on the world of contemporary classical music. Despite the apparent confusion about the composer of Turangalila in the quote, it is evident that the symphony's innovative spirit, emotional depth, and musical originality have left an indelible mark on the artistic sensibilities of composers and musicians across generations.