Meaning: Jacqueline Bisset's quote delves into the dynamics of the film industry, particularly in the context of the differences between American and European cinema. She highlights the emphasis on young sexuality in the American film industry, contrasting it with the more diverse and intellectual nature of European cinema. Bisset's insights shed light on the distinct characteristics and audience preferences that shape the film industry on both sides of the Atlantic.

In her assertion that the film business has been about young sexuality, Bisset touches upon the prevalent emphasis on youth and physical attractiveness in American cinema. This aspect reflects the industry's tendency to cater to the tastes and preferences of younger audiences. The portrayal of young sexuality in films often aligns with the desire to attract and engage this demographic, shaping the narratives and characters to appeal to youthful sensibilities.

Bisset's observation that film audiences in America are predominantly young resonates with the demographic trends in the industry. The prevalence of youth-oriented marketing and the appeal of mainstream blockbusters to younger viewers contribute to this phenomenon. The influence of youth culture and the pursuit of entertainment that resonates with younger audiences have a significant impact on the types of films that are produced and the themes that are explored.

The contrast drawn between film and theatre in Bisset's quote underscores the distinct nature of the two mediums. While film may prioritize youth and sexuality, theatre often caters to a broader demographic and engages with a more diverse range of themes and narratives. This differentiation highlights the unique dynamics of the film industry and its distinct focus on appealing to specific audience demographics.

Bisset's assertion that American cinema is not intellectual reflects the perception of mainstream Hollywood productions as being more commercially driven and focused on entertainment value rather than intellectual depth. This perspective aligns with the dominance of big-budget blockbusters and commercial considerations in shaping the American film landscape. While there are certainly intellectually stimulating and thought-provoking films produced in the United States, the prevailing perception of American cinema as being more commercially oriented is a notable aspect of Bisset's commentary.

In contrast, Bisset's reference to European cinema suggests a more nuanced and intellectual approach to filmmaking. European cinema is often celebrated for its artistic merit, cultural diversity, and exploration of complex themes. The emphasis on intellectual cinema in Europe reflects a tradition of auteur filmmaking and a willingness to engage with challenging subject matter and narrative styles.

In conclusion, Jacqueline Bisset's quote provides valuable insights into the dynamics of the film industry, particularly in the context of the differences between American and European cinema. Her observations about the emphasis on young sexuality, the demographic trends in film audiences, and the contrast between American and European approaches to cinema shed light on the distinct characteristics of the two film cultures. By highlighting the commercial and youth-oriented nature of American cinema and the intellectual depth of European cinema, Bisset's quote prompts a deeper understanding of the diverse influences and audience preferences that shape the film industry on both continents.