Meaning: Don Bluth is an American animator, film director, producer, writer, production designer, and video game designer, best known for his work on animated films such as "The Land Before Time," "An American Tail," and "The Secret of NIMH." The quote provided offers insight into his perspective on the use of 3D graphics in storytelling and the importance of utilizing the right tools, or "brushes," for different types of stories.

Bluth's mention of the "work that they do" likely refers to the artists and animators who create 3D graphics. His use of the word "fabulous" suggests that he holds their work in high regard, acknowledging the skill and creativity involved in producing 3D graphics. This admiration for the art form indicates his appreciation for the visual impact and storytelling potential of 3D animation.

Furthermore, Bluth's description of 3D graphics as a "great brush to use for some stories" highlights his view of 3D animation as a versatile tool for storytelling. Much like an artist selects different brushes to achieve specific artistic effects, Bluth sees 3D graphics as a valuable resource for certain types of narratives. This perspective aligns with the idea that different visual styles can enhance and complement specific storylines, allowing for a diverse and dynamic range of storytelling possibilities.

At the same time, Bluth acknowledges that there are "other brushes" that he believes are more suitable for different kinds of stories. This recognition underscores the importance of matching the artistic technique to the nature of the narrative being told. It reflects an understanding that storytelling is a nuanced craft, and the choice of animation style should align with the thematic, emotional, and aesthetic requirements of the story in question.

In the context of Bluth's own work, which predominantly features traditional hand-drawn animation, his positive commentary on 3D graphics is noteworthy. It indicates a willingness to embrace and appreciate different forms of animation, recognizing the unique strengths and capabilities of each approach. This openness to diverse artistic tools and styles demonstrates Bluth's adaptability and willingness to evolve with the ever-changing landscape of animation and filmmaking.

Additionally, Bluth's emphasis on the relationship between visual style and storytelling aligns with broader discussions within the animation industry. The debate surrounding the use of 2D versus 3D animation, as well as the potential for hybrid approaches, continues to be a topic of interest and exploration among animators, filmmakers, and audiences alike. Bluth's perspective contributes to this ongoing dialogue, emphasizing the importance of considering the visual language of animation as an integral part of the storytelling process.

In conclusion, Don Bluth's quote encapsulates his appreciation for the artistry of 3D graphics and his recognition of its potential as a storytelling tool. His analogy of 3D graphics as a "brush" underscores the idea that different animation styles can serve as distinct means of artistic expression, each suited to specific types of stories. By acknowledging the value of diverse animation techniques and their relationship to storytelling, Bluth's perspective offers valuable insights into the creative possibilities within the animation industry.