Meaning: The quote by Steven Bochco, "Casting is sort of like looking at paintings. You don't know what you'll like, but you recognize it when you see it," is a powerful analogy that provides insight into the process of casting actors for television, film, or theater productions. Steven Bochco, a renowned television producer known for creating groundbreaking series such as "Hill Street Blues" and "NYPD Blue," was well-versed in the intricacies of casting and understood the importance of finding the right talent to bring a script to life.

The comparison of casting to looking at paintings is particularly apt, as both activities involve subjective judgment and the need to recognize something that resonates on a deeper level. When casting for a production, directors and producers often have a vision of the characters they are looking for, much like an art enthusiast may have preferences for certain styles or subjects in paintings. However, just as one cannot always predict which painting will capture their attention, casting decisions can be unpredictable and surprising.

In the world of casting, there is a delicate balance between seeking out specific qualities in actors and remaining open to unexpected discoveries. Much like appreciating art, casting requires a keen eye for talent and a willingness to be moved by a performance that may not fit preconceived notions. Bochco's analogy captures the essence of this process, highlighting the element of surprise and intuition that can play a crucial role in casting decisions.

When casting for a production, the goal is to find actors who not only possess the necessary skills and experience but also bring a unique spark that elevates the characters they portray. This is akin to discovering a painting that not only meets technical criteria but also evokes a visceral response. The quote underscores the idea that casting is not just about finding individuals who fit a predetermined mold but about recognizing the intangible qualities that make a performance compelling and unforgettable.

Bochco's comparison also speaks to the subjective nature of casting. Much like art appreciation, casting decisions are deeply personal and can vary widely among individuals. What resonates with one casting director or producer may not necessarily resonate with another. This subjectivity adds an element of unpredictability to the casting process, reinforcing the notion that the right choice may not always conform to initial expectations.

Furthermore, the quote acknowledges the element of serendipity in casting. Just as a person may stumble upon a captivating painting when least expected, casting decisions can sometimes be driven by chance encounters or unexpected auditions. The quote conveys the idea that the perfect casting choice may reveal itself in surprising ways, reinforcing the notion that casting is as much about intuition and instinct as it is about deliberate selection.

In conclusion, Steven Bochco's analogy of casting to looking at paintings provides valuable insight into the complex and subjective nature of the casting process. By likening the act of casting to the experience of appreciating art, Bochco captures the essence of seeking out talent, recognizing the intangible qualities that make a performance compelling, and embracing the element of surprise and serendipity. This quote serves as a reminder that casting is not just a process of selection but a journey of discovery, where the perfect choice may be found when least expected.