Meaning: This quote by Peter Bogdanovich, an esteemed film director, sheds light on a significant concern within the film industry, particularly regarding the visual storytelling aspect of movies. In this quote, Bogdanovich expresses his observation of a lack of film grammar and storytelling skills among emerging filmmakers, particularly those from MTV or commercial backgrounds. He critiques the overreliance on rapid cuts in contemporary films and highlights the absence of a coherent visual narrative.

Bogdanovich's remark underscores the importance of film grammar, which encompasses the principles and techniques of visual storytelling. Film grammar includes elements such as framing, composition, camera movement, lighting, and editing, all of which contribute to conveying a story effectively on screen. Understanding and applying film grammar is crucial for creating a cohesive and engaging visual narrative that resonates with audiences.

The reference to "younger people who are coming from MTV or who are coming from commercials" indicates a shift in the sources of talent in the film industry. Traditionally, filmmakers often emerged from backgrounds rooted in cinema, with a deep understanding of film history and visual language. However, the influx of individuals from MTV and commercial backgrounds suggests a different skill set and approach to visual storytelling, which may lack the depth and nuance associated with traditional cinematic grammar.

The critique of "cut, cut, cut, cut, cut" reflects the prevalent trend of fast-paced editing in contemporary cinema. This rapid editing style, characterized by quick cuts and frequent visual transitions, has become increasingly common in many modern films. While fast-paced editing can be effective in certain contexts, it can also lead to a disjointed visual narrative and a lack of coherence in storytelling. Bogdanovich's comment suggests that this approach may be prioritized for its immediate impact, but it may come at the expense of a deeper, more thoughtfully constructed visual storytelling experience.

It is important to note that Bogdanovich's perspective is informed by his extensive experience as a filmmaker and his deep knowledge of film history. As a director known for his contributions to the New Hollywood movement of the 1960s and 1970s, Bogdanovich has a strong foundation in classical cinema and a deep appreciation for the art of storytelling through visuals. His critique may stem from a desire to uphold the principles of traditional film grammar and to encourage a more thoughtful and deliberate approach to visual storytelling in contemporary filmmaking.

In response to Bogdanovich's observations, it is crucial for emerging filmmakers to consider the significance of film grammar and visual storytelling techniques. While the landscape of filmmaking continues to evolve, the fundamentals of visual storytelling remain essential for creating impactful and resonant cinematic experiences. By studying and understanding the principles of film grammar, aspiring filmmakers can develop a solid foundation for conveying narratives visually and engaging audiences on a deeper level.

In conclusion, Peter Bogdanovich's quote highlights the importance of film grammar and visual storytelling in contemporary cinema. His critique of the lack of cohesive visual storytelling and the prevalence of rapid editing serves as a reminder of the fundamental principles that underpin effective filmmaking. As the industry continues to evolve, aspiring filmmakers can benefit from embracing the principles of film grammar and striving to convey narratives visually with depth and coherence. By doing so, they can uphold the art of visual storytelling and contribute to the creation of compelling and meaningful cinematic experiences.