Meaning: The quote "In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect" by Andrew Bradley Judge highlights the importance of understanding the distinction between analyzing the technical elements of a play and appreciating its overall impact on the audience.

When considering the construction of a play, it is essential to focus on the underlying framework that supports the dramatic narrative. This involves dissecting the various components such as plot, character development, dialogue, and staging techniques. From this analytical standpoint, the emphasis is on deconstructing the individual parts to comprehend how they contribute to the coherence and effectiveness of the play as a whole. This process allows for a detailed examination of the playwright's craftsmanship and the structural integrity of the work.

However, as the quote suggests, this perspective differs from the vantage point of experiencing the play's complete dramatic effect. When the audience engages with a theatrical performance, they are immersed in the emotional and sensory impact of the narrative, characters, and themes. The collective experience of witnessing the unfolding drama, feeling the tension, laughter, and sorrow, and being transported into the world of the play is fundamentally different from a detached analysis of its construction.

Andrew Bradley Judge's quote prompts us to recognize the disparity between these two viewpoints and to appreciate the distinct ways in which we engage with a play. It serves as a reminder that while the technical examination provides valuable insights into the inner workings of a play, it is equally important to acknowledge the transformative power of the dramatic experience on the audience.

From a scholarly perspective, scholars and dramatists often delve into the construction of a play to unravel its intricacies and unravel the layers of meaning embedded within the text. This involves scrutinizing the use of language, the development of characters, the progression of the plot, and the utilization of dramatic devices. By critically analyzing these elements, scholars aim to gain a deeper understanding of the playwright's intentions and the thematic underpinnings of the work.

Conversely, for the audience members, their engagement with a play is characterized by a holistic immersion in the theatrical experience. The emotional resonance, the visceral impact of the performances, and the resonance of the themes are what captivate and resonate with them. The collective response of the audience to the dramatic arc, the conflicts, and resolutions, and the overall thematic resonance contributes to the unique and ephemeral nature of live theatre.

In conclusion, Andrew Bradley Judge's quote serves as a valuable reminder of the dual perspectives involved in examining a play. It encourages us to recognize the distinct but complementary nature of analyzing a play's construction and experiencing its complete dramatic effect. Understanding this duality allows for a more comprehensive appreciation of the complexities and richness of theatrical works. Whether approaching a play from a scholarly or audience perspective, acknowledging the interplay between construction and dramatic impact enhances our understanding and enjoyment of the dramatic art form.