If it's fast, no I don't have enough piano technique. In that case, it's probably been done on some kind of synthesizer or sequencer. Then the score can then be printed out and so forth.

Profession: Musician

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Meaning: This quote by Bill Bruford, a renowned musician and former drummer for bands such as Yes and King Crimson, sheds light on the intersection of technology and musical performance. Bruford's statement reflects the ongoing debate in the music industry about the role of technology in creating and performing music, particularly in relation to traditional instruments like the piano.

Bruford's assertion that if a piece of music is fast, he does not have enough piano technique suggests that he believes in the importance of mastering traditional instruments and techniques. It speaks to the value he places on technical proficiency and the notion that certain musical expressions can only be achieved through mastery of an instrument. This sentiment resonates with the traditionalist view that genuine musical skill is demonstrated through the ability to perform complex and demanding compositions on acoustic instruments.

However, Bruford also acknowledges the prevalence of synthesizers and sequencers in contemporary music production. His mention of these electronic tools suggests an awareness of the impact of technology on the creation and performance of music. Synthesizers and sequencers allow for the manipulation and generation of sounds that may be unattainable through traditional instruments, opening up new sonic possibilities for artists. The implication is that the use of these technologies can circumvent the need for advanced instrumental technique, providing alternative means of musical expression.

The quote also hints at the evolving nature of music notation and distribution. Bruford mentions the ability to print out the score, highlighting the shift towards digital and electronic formats for musical notation and distribution. This reflects the broader trend in the music industry, where digital platforms and software have transformed the way music is composed, recorded, and distributed. The accessibility and convenience of digital tools have revolutionized the creation and dissemination of musical works, impacting the traditional processes associated with music notation and publishing.

In essence, Bruford's quote captures the tension between traditional instrumental proficiency and the technological advancements that have reshaped musical expression. It raises questions about the evolving definition of musical skill and the role of technology in shaping contemporary music. Furthermore, it underscores the need for musicians to navigate the complex interplay between traditional techniques and modern tools, as well as the implications of these dynamics for the future of music.

Overall, Bill Bruford's quote encapsulates the ongoing dialogue surrounding the impact of technology on musical performance and creation, as well as the evolving nature of musical notation and distribution. It reflects the multifaceted relationship between traditional instrumental expertise and the innovative possibilities afforded by electronic tools, offering insight into the complex landscape of modern music.

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