Meaning: Gavin Bryars' quote provides insight into the creative process and the evolution of artistic works. This quote is particularly significant as it sheds light on the collaborative nature of music production and the expectations that come with revisiting a well-known piece. In this quote, Bryars reflects on an invitation from fellow composer Philip Glass to create a new recording of "Jesus' Blood," a composition that holds a special place in contemporary classical music.

Bryars' mention of Philip Glass indicates a level of mutual respect and artistic camaraderie between the two composers. Glass, known for his minimalist compositions, approached Bryars about re-recording "Jesus' Blood," a piece that Bryars originally created in 1971. By expressing that Glass assumed he would create something similar to the first version of the piece, Bryars highlights the challenge of revisiting and reinterpreting one's own work. This assumption also speaks to the expectations and preconceived notions that can accompany a re-recording or a new iteration of a well-known composition.

The fact that Glass wanted to know what other pieces would be on the same CD reflects the strategic and thoughtful nature of album curation. It indicates that Glass was considering the overall cohesion and thematic elements that would tie the album together. This aspect of the quote underscores the interconnectedness of musical works within an album and the importance of considering how different pieces interact with each other to create a cohesive listening experience for the audience.

"Jesus' Blood" is a seminal work in Bryars' oeuvre, known for its haunting and contemplative qualities. The piece is based on a fragment of a hymn that Bryars heard being sung by a homeless man outside Waterloo Station in London. The man, who had a beautiful voice, was singing the same lines repeatedly, which left a deep impression on Bryars and inspired him to compose the piece. The resulting composition features a looping and meditative structure, creating a sense of timelessness and introspection.

The quote also touches on the concept of artistic evolution and the desire to explore new possibilities within familiar works. By mentioning the assumption that he would create something similar to the first version of "Jesus' Blood," Bryars hints at the notion of artistic expectation and the challenge of balancing innovation with honoring the essence of a well-loved piece. This speaks to the complex dynamics of revisiting and reimagining one's own creations, as artists navigate the tension between staying true to the original vision and seeking new avenues of expression.

Overall, Bryars' quote encapsulates the nuanced dynamics of collaboration, artistic reinterpretation, and the multifaceted nature of album production. It offers a glimpse into the creative dialogue between two esteemed composers and provides valuable insights into the thought processes and considerations involved in revisiting a significant musical composition. Through this quote, Bryars invites us to contemplate the intersections of creativity, expectation, and the enduring power of musical works to inspire and resonate across different iterations and interpretations.