Meaning: Gavin Bryars, an English composer and double bassist, has made a thought-provoking statement about his lack of attraction towards the academic area of new music or modern music festivals. This quote reflects his unique perspective on the contemporary music scene and offers insight into his own musical preferences and creative process.

Gavin Bryars is known for his diverse body of work, which encompasses a wide range of musical styles and influences. His early career was marked by his involvement in the experimental music scene, where he collaborated with prominent figures such as John Cage and Cornelius Cardew. Over the years, Bryars has developed a distinctive musical voice that defies easy categorization, blending elements of classical, jazz, and avant-garde music.

When Bryars expresses his disinterest in the academic area of new music, he may be alluding to the often esoteric and intellectually-driven nature of contemporary composition. In academic circles, new music often refers to avant-garde or experimental compositions that push the boundaries of traditional musical expression. These works may incorporate unconventional techniques, electronic elements, or non-standard instrumentation, challenging audiences to engage with unfamiliar sonic landscapes.

For Bryars, who has always been drawn to a more emotionally resonant and accessible musical language, the academic pursuit of new music may not align with his artistic sensibilities. His compositions often prioritize melodic and harmonic richness, as well as a deep connection to the human experience. By eschewing the academic trappings of new music, Bryars may be asserting his commitment to creating music that speaks directly to the heart and soul, rather than solely to the intellect.

In a similar vein, the mention of modern music festivals in Bryars' quote suggests a skepticism towards the commercialized and trend-driven nature of contemporary music events. In recent years, many music festivals have become showcases for the latest trends in popular music, often prioritizing commercial success and mass appeal over artistic innovation and depth. This commodification of music, coupled with the pressure to conform to audience expectations, may not resonate with Bryars' artistic ethos.

It is important to note that Bryars' stance does not imply a rejection of all contemporary music or the pursuit of innovation. Throughout his career, he has continually sought out new musical experiences and collaborations, constantly evolving his creative practice. However, his quote serves as a reminder that the pursuit of artistic excellence should not be overshadowed by academic or commercial pressures.

In conclusion, Gavin Bryars' quote encapsulates his nuanced perspective on the contemporary music landscape. It reflects his commitment to creating music that transcends intellectual and commercial trappings, resonating with audiences on a profound emotional level. By sharing his disinterest in the academic area of new music and modern music festivals, Bryars challenges us to reconsider our preconceptions about what constitutes valuable musical innovation and expression.