If you do two versions of a film, they should be identical. With the same frames and settings.

Profession: Director

Topics: Film,

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Meaning: The quote, "If you do two versions of a film, they should be identical. With the same frames and settings" by Marcel Carné, reflects the principle of consistency and uniformity in filmmaking. Marcel Carné was a French film director and a key figure in the poetic realism movement of French cinema in the 1930s and 1940s. His statement underscores the importance of maintaining uniformity and consistency in the visual and technical aspects of a film when creating multiple versions.

Carné's emphasis on identical frames and settings in two versions of a film highlights the significance of preserving the director's original vision and maintaining the integrity of the cinematic work. In the context of film production, the idea of creating multiple versions of a film may arise for various reasons, such as international distribution, censorship requirements, or alternative edits for different audiences. However, Carné's statement suggests that regardless of the reasons for producing multiple versions, the fundamental components of the film should remain consistent across all iterations.

From a technical perspective, achieving identical frames and settings in different versions of a film requires meticulous attention to detail during the editing and post-production processes. It involves ensuring that each scene, shot, and visual element align precisely across the various versions, thereby preserving the intended visual and aesthetic continuity of the film. This level of precision is essential for upholding the director's artistic vision and ensuring that the essence of the film remains intact across different iterations.

Carné's assertion also carries implications for the creative and narrative aspects of filmmaking. It suggests that the core storytelling elements, character portrayals, and thematic content should remain consistent across multiple versions of a film. While alternative edits or localized adaptations may be necessary to cater to specific audiences or cultural contexts, the underlying essence and essence of the film should not be compromised.

In the realm of film preservation and restoration, Carné's principle holds relevance in the context of maintaining the originality and integrity of classic and historically significant films. When restoring or digitizing films for contemporary audiences, the goal is to recreate the experience of viewing the film in its original form. Adhering to Carné's principle ensures that the restored versions faithfully represent the director's original work, thereby safeguarding the legacy of the film for future generations.

Furthermore, Carné's quote underscores the notion that the art of filmmaking is grounded in precision and attention to detail. It serves as a reminder of the discipline and craftsmanship required to uphold the unity and coherence of a film, regardless of the variations or adaptations that may emerge. By emphasizing the importance of identical frames and settings, Carné's statement encapsulates the commitment to preserving the integrity of cinema as a visual and narrative medium.

In conclusion, Marcel Carné's quote encapsulates the principle of maintaining identical frames and settings in multiple versions of a film. It speaks to the importance of upholding consistency and preserving the director's original vision across different iterations of a cinematic work. Whether viewed from a technical, creative, or preservation standpoint, Carné's assertion resonates as a testament to the precision and integrity inherent in the art of filmmaking.

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