Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.

Profession: Musician

Topics: Time, Play,

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Meaning: This quote is from the renowned jazz saxophonist, Wayne Shorter. In this statement, Shorter reflects on the experience of listening back to his own performances and the challenges of reconciling his feelings towards his own playing. He acknowledges the dichotomy between the moments of satisfaction and dissatisfaction upon revisiting his solos. Furthermore, he discusses the influence of the recording medium on how musicians perceive their own work compared to the more spontaneous and ephemeral nature of live performances.

Wayne Shorter's quote encapsulates the complex and often contradictory emotions that musicians may experience when evaluating their own performances. The process of listening back to one's solos can be both rewarding and disheartening. It is not uncommon for artists to oscillate between moments of pride and moments of frustration when revisiting their own work. This introspective process is an essential part of artistic growth, as it allows musicians to identify areas for improvement and refinement in their playing.

Shorter also acknowledges the impact of the recording medium on the way musicians perceive their performances. The permanence of recorded music can intensify the self-criticism that artists may feel when listening to their own work. Unlike live performances, where the ephemerality of the music allows for a more spontaneous and forgiving mindset, recordings preserve every nuance and imperfection. This heightened sense of scrutiny can lead musicians to view their recorded performances through a more critical lens, amplifying their self-doubt and self-criticism.

In addition to the emotional and psychological aspects, Shorter's quote sheds light on the artistic dilemma of reconciling one's creative output with personal standards of excellence. The juxtaposition of liking certain phrases while disliking others reflects the perpetual pursuit of perfection and self-expression in music. This internal conflict is not unique to Shorter; it is a universal experience shared by many artists who strive for artistic innovation and mastery of their craft.

Moreover, Shorter's insight into his thought process during live performances offers a contrasting perspective. He implies that the immediacy and spontaneity of live gigs provide a different mindset compared to the reflective process of listening to recorded solos. In a live setting, the focus shifts from self-critique to the present moment, where the energy and interaction with the audience take precedence over self-evaluation. This distinction highlights the dynamic nature of musical expression and the different mental states that musicians navigate in various performance contexts.

Ultimately, Wayne Shorter's quote provides a glimpse into the inner world of a musician grappling with the complexities of self-assessment and artistic expression. It underscores the ongoing journey of self-discovery and growth inherent in the creative process. By acknowledging the tension between satisfaction and self-criticism, as well as the influence of recording technology on musical introspection, Shorter's words resonate with artists and listeners alike, offering a profound perspective on the multifaceted nature of musical performance and self-evaluation.

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